Thirteen Years of a Busy Woman's Life — John Shaqi
Thirteen Years of a Busy Woman's LifeAlec-Tweedie, Mrs. (Ethel)
General
Thirteen Years of a Busy Woman's Life
Alec-Tweedie, Mrs. (Ethel)
Alec-Tweedie, Mrs. (Ethel), -1940; Great Britain -- Intellectual life -- 20th century
Invitation after invitation had to be refused because I could not
afford the expense nor the time. A great barrier had arisen between
me and my old world. How I regretted I had not done even more than
I had done for people less dowered than myself in the past! And yet
Alec and I had often sent a bank-note in an envelope to a sick or poor
friend. Then, yes then, the reward came. The thoughtless rich, with
all their kindly but useless offers of hospitality, left me alone, and
the others—those who were really worth knowing—sought me out. Well I
remember a first-class return ticket to Scotland being pinned, as if by
chance, on the top of the letter which invited me to a shooting-box.
Another time some friends asked me to go abroad with them _as their
guest_, and treated me as their most honoured friend. Boxes came for
the theatres, and the note accompanying them asked at what hour I would
like the carriage to fetch me, or motors were lent me to shop or call.
It was all to save me expense, I knew; but done so nicely, and showing
so keenly the determination to give me a good time and save my slender
purse. These were the acts of true gentlefolk—the vaunted offers of
visits that meant hundreds of pounds’ worth of clothes and ten pounds’
worth of tickets and tips were mere pretence, merely salves to the soul
of the sender of the invitation, that he or she was doing something
kind, knowing all the time they were but dangling a fly from the world
I had lost, to the woman not yet sure of her new world or of herself.
The creative mind is like a sensitive plant. It feels sorrow or joy
more acutely than its neighbour or it could not take in or give out
impressions.
Everyone with initiative in the Arts is receptive. They are like
sensitive plates in a camera. They conceive and receive impressions.
Genius suffers, or it cannot expand, and poverty to genius is often
cruelly crushing. It paralyses output, or is a wild incentive to work
at the cost of double brain force.
It would be so nice if all really clever people, people whose work
benefits mankind, could be saved the gnawing pains of poverty.
Genius is often emotional, and there are just as many emotional men as
emotional women. I have seen as many tears lurking in men’s eyes as in
women’s in my day. God bless them for it—a person who cannot feel is
not human.
* * * * *
I went to all sorts of queer old eating-houses, doss-houses, lunatic
asylums, gaols, docks, slums, Jews’ markets, and Billingsgate, in my
pursuit of “copy”; always seeking something new.
I began to wonder if money was the only thing that counted, and then—a
thousand times no. I realised that money was the only thing that
counted in the world of snobs—but did the world of snobs count at all?
Public-domain text, read in full here on John Shaqi.
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