Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Ah, those evenings at Lady Giblet’s—I never miss a single one if I can
help it. The vulgarity, ignorance and stupidity of the hostess, the
incredible second-rateness of her mangy lions—these are surely unique.
And then those camp-followers of the arts, those delicious Bohemians who
regard their ability to appreciate the paintings of the cubists and the
music of Stravinsky as a sufficient justification for helping themselves
freely to one another’s wives—nowhere can you see such brilliant
specimens of the type as at Lady Giblet’s. And the conversations one
hears within those marble halls—nowhere, surely, are pretensions
separated from justifying facts by a vaster gulf. Nowhere can you hear
the ignorant, the illogical, the incapable of thought talking so glibly
about things of which they have not the slightest understanding. And
then you should hear them boasting parenthetically, as they express an
imbecile’s incoherent opinion, of their own clear-headedness, their
modern outlook, their ruthless scientific intelligence. Surely you can
find nothing so perfect in its kind as at Lady Giblet’s—I at least know
of nothing more complete. At Mrs. Aldwinkle’s one might very likely hear
a serious conversation; never by any chance in the salon of _my_ choice.
But that morning in the blue Tyrrhenian was the last of my life to be
passed beyond the pale of Mrs. Aldwinkle’s acquaintanceship; it was also
as nearly as possible the first of my future life. Fate seemed that
morning to be in doubt whether to extinguish me completely or merely to
make me acquainted with Mrs. Aldwinkle. Fortunately, as I like to think,
it chose the latter alternative. But I anticipate.
Public-domain text, read in full here on John Shaqi.
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