Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
_The_ VOYSEY _dining-room at Chislehurst, when children and
grandchildren are visiting, is dining table and very little else. And at
this moment in the evening when five or six men are sprawling back in
their chairs, and the air is clouded with smoke, it is a very typical
specimen of the middle-class English domestic temple; the daily
sacrifice consummated, the acolytes dismissed, the women safely in the
drawing room, and the chief priests of it taking their surfeited ease
round the dessert-piled altar. It has the usual red-papered walls, (like
a refection, they are, of the underdone beef so much consumed within
them) the usual varnished woodwork which is known as grained oak; there
is the usual, hot, mahogany furniture; and, commanding point of the
whole room, there is the usual black-marble sarcophagus of a fireplace.
Above this hangs one of the two or three oil paintings, which are all
that break the red pattern of the walls, the portrait painted in 1880 of
an undistinguished looking gentleman aged sixty; he is shown sitting in
a more graceful attitude than it could ever have been comfortable for
him to assume._ MR. VOYSEY'S _father it is, and the brass plate at the
bottom of the frame tells us that the portrait was a presentation one.
On the mantelpiece stands, of course, a clock; at either end a china
vase filled with paper spills. And in front of the fire,--since that is
the post of vantage, stands at this moment_ MAJOR BOOTH VOYSEY. _He is
the second son, of the age that it is necessary for a Major to be, and
of an appearance that many ordinary Majors in ordinary regiments are. He
went into the army because he thought it would be like a schoolboy's
idea of it; and, being there, he does his little all to keep it so. He
stands astride, hands in pockets, coat-tails through his arms, cigar in
mouth, moustache bristling. On either side of him sits at the table an
old gentleman; the one is_ MR. EVAN COLPUS, _the vicar of their parish,
the other_ MR. GEORGE BOOTH, _a friend of long standing, and the Major's
godfather. Mr. Colpus is a harmless enough anachronism, except for the
waste of £400 a year in which his stipend involves the community.
Leaving most of his parochial work to an energetic curate, he devotes
his serious attention to the composition of two sermons a week. They
deal with the difficulties of living the christian life as experienced
by people who have nothing else to do. Published in series from time to
time, these form suitable presents for bedridden parishioners._ MR.
GEORGE BOOTH, _on the contrary, is as gay an old gentleman as can be
found in Chislehurst. An only son; his father left him at the age of
twenty-five a fortune of a hundred thousand pounds (a plum, as he called
it). At the same time he had the good sense to dispose of his father's
business, into which he had been most unwillingly introduced five years
earlier, for a like sum before he was able to depreciate its value. It
was_ MR.
Public-domain text, read in full here on John Shaqi.
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