Through stained glass: A NovelChamberlain, George Agnew
General
Through stained glass: A Novel
Chamberlain, George Agnew
Fathers and sons -- Fiction; Love stories
Gradually it dawned upon her that Lewis was really helpless and terribly
alone. In that moment she took charge of him as a duck takes charge of
an orphaned chick. On succeeding evenings she led him to the water, but
she did not try to make him swim.
Parents still comfort themselves with the illusion that they can choose
safe guardians for their young. As a matter of fact, guardians of
innocence are allotted by Fate. When Fate is kind, she allots the
extremes, a guardian who has never felt a sensation or one who has tired
of all sensations. The latter adds wisdom to innocence, subtracts it
from bliss, and--becomes an ideal.
Fate was kind to Lewis in handing him over to Cellette at the tragic
age. Nature had shown him much; Cellette showed him the rest. She took
him as a passenger through all the side-shows of life. She was tired of
payments in flesh and blood. She found her recompense in teaching him
how to talk, walk, eat, take pleasure in a penny ride on a river boat or
on top of a bus, and in spending his entire allowance to their best
joint profit.
In return Lewis received many a boon. He was no longer alone. He was
introduced as an equal to the haunts of the gay world of embryonic
art--the only world that has ever solved the problem of being gay
without money. From the first he was assumed to belong to Cellette. How
much of the assault, the jeers, the buffoonery, the downright evil of
initiation, he was saved by this assumption he never knew. Cellette
knew, but her tongue was held by shame. All her training had taught her
to be ashamed of "being good." If ever the secret of their astounding
innocence had got out, professional pride would have forced her to ruin
Lewis, body and soul, without a moment's hesitation.
Lewis also learned French--a French that rippled along mostly over
shallows, but that had deep pools of art technic, and occasionally flew
up and slapped you in the face with a fleck of well-aimed argot.
Weeks, months, passed before Leighton appeared on the scene, summoned by
a scribbled note from Le Brux. When greetings were over, Leighton asked:
"Well, what is it this time? How is the boy getting along? Is he going
to be a sculptor?"
"You are wise to ask all your questions at once," said Le Brux. "You
know I shall talk just as I please. Your boy, just as you said he would,
has attacked me in the heart. He is a most entertaining babe. I am no
longer wet nurse. Somebody with the attributes has supplanted
me--Cellette."
"H--m--m!" said Leighton.
Le Brux held up a ponderous hand.
"Not too fast," he said. "The lady assures me the babe is still on the
bottle. Such being the case, I sent for you. They are inseparable. They
have put off falling in love so long that, when they do, it will prove a
catastrophe for one of them. Take him away for a while. Distort his
concentrated point of view."
"That's a good idea," said Leighton. "Perhaps I will."
Public-domain text, read in full here on John Shaqi.
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