She prepared for him with sedulous care, not only her room and her clothes, but herself. She was determined she would comport herself creditably, would be equal to the occasion and fulfill the highest expectations. She was going to act like a lady--no one would ever suspect she had once waited on table in the Buon Gusto restaurant, or been a barefoot, miner's kid. As she put on her black velveteen skirt and best crimson crepe blouse, she pledged herself to a wary refinement, laid the weight of it on her spirit. The only models she had to follow were the leading ladies of the road companies she had seen, and she impressed upon her mind details of manner from the heroines of "East Lynne" and "The Banker's Daughter." When four o'clock struck she was seated by the center table, a book negligently held in one hand, her feet, in high-heeled, beaded slippers, neatly crossed, and a gold bracelet given her by her father on her arm. She took a last, inspecting glance round the room and found it entirely satisfactory. On the table beside her a battered metal tray held a bottle of native Chianti, two glasses and a box of cigarettes. In Pancha's world a visitor was always offered liquid refreshment and she had chosen the Chianti as less plebeian than beer and not so expensive as champagne. She had no acquaintance with either wine or cigarettes; her thrifty habits and care of her voice made her shun both. Mayer recognized the room as a familiar type--he had been in many such in many lands. But the girl did not fit it. She looked to him very un-American, more like a Spaniard or a French midinette. There was nothing about her that suggested the stage, no make-up, none of its bold coquetry or crude allure. She was rather stiff and prim, watchful, he thought, and her face added to the impression. With its high cheek bones and dusky coloring he found it attractive, but also a baffling and noncommittal mask. He was even more than she had anticipated. His deep bow over her hand, his deference, thrilled her as the Prince might have thrilled Cinderella. She was very careful of her manners, keeping to the weather, expressing herself with guarded brevity. A chill constraint threatened to blight the occasion, but Mayer, versed in the weaknesses of stage folk, directed the conversation to her performance in "The Zingara," for which he professed an ardent admiration. "I was surprised by it, even after what I'd heard. I wonder if you know how good it is?" Her color deepened. "I try to make it good, I've been trying for six years." He smiled. "Six years! You must have begun when you were a child." This was too much for Pancha. Her delight at his praise had been hard to suppress; now it burst all bonds. She forgot her refinement and the ladylike solemnity of her face gave place to a gamin smile. "Oh, quit it. You can't hand me out that line of talk. I'm twenty-two and nobody believes it."