Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series — John Shaqi
Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot SeriesAberigh-Mackay, George
General
Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series
Aberigh-Mackay, George
India -- Description and travel; India -- Politics and government -- 1765-1947; India -- Social life and customs
I cannot understand why Viceroys and English newspapers call the
Indian cultivator a "riot." He never amounts to a riot if you treat
him properly. He may be a disorderly crowd sometimes; but that is only
when you embody him in a police force or convert him into cavalry. The
atomic disembodied villager has no notion of rioting, _ça-ira_
singing, or any of the tomfooleries of revolution. These pastimes are
for men who are both idle and frivolous. When our villager wants to
realise a political idea, he dies of famine. This has about it a
certain air of seriousness. A man will not die of famine unless he be
in earnest.
Lord Bacon's apothegm was that _Eating maketh a full man_; and it
would be better to give the starving cultivator Bacon than the report
of that Commission (which we cannot name without tears and laughter)
which goes to work on the assumption that _writing maketh a full
man_--that to write over a certain area of paper will fill the
collapsed cuticles of the agricultural class throughout India.
When [Sir Richard Temple] first started the idea of holding famines, I
proposed that he should illustrate his project by stopping the pay and
allowances of the Government of India for a month. But he did not
listen to my proposal. People seldom listen to my proposals; and
sometimes I think that this accounts for my constitutional melancholy.
You will ask, "What has all this talk of food and famine to do with
the villager?" I reply, "Everything." Famine is the horizon of the
Indian villager; insufficient food is the foreground. And this is the
more extraordinary since the villager is surrounded by a dreamland of
plenty. Everywhere you see fields flooded deep with millet and wheat.
The village and its old trees have to climb on to a knoll to keep
their feet out of the glorious poppy and the luscious sugar-cane.
Sumptuous cream-coloured bullocks move sleepily about with an air of
luxurious sloth; and sleek Brahmans utter their lazy prayers while
bathing languidly in the water and sunshine of the tank. Even the
buffaloes have nothing to do but float the livelong day deeply
immersed in the bulrushes. Everything is steeped in repose. The bees
murmur their idylls among the flowers; the doves moan their amorous
complaints from the shady leafage of pipal trees; out of the cool
recesses of wells the idle cooing of the pigeons ascends into the
summer-laden air; the rainbow-fed chameleon slumbers on the branch;
the enamelled beetle on the leaf; the little fish in the sparkling
depths below; the radiant kingfisher, tremulous as sunlight, in
mid-air; and the peacock, with furled glories, on the temple tower of
the silent gods. Amid this easeful and luscious splendour the villager
labours and starves.
Public-domain text, read in full here on John Shaqi.
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