We must here remark that this time the exorcisms took place in the evening, instead of in the morning as hitherto; and it was now growing dark, and darkness is favourable to illusions. Several of the unbelieving ones present, therefore, began to call attention to the fact that the quarter of an hour’s delay would necessitate the employment of artificial light during the next scene. They also noticed that M. de Laubardemont had seated himself apart and immediately beneath one of the arches in the vaulted roof, through which a hole had been drilled for the passage of the bell-rope. They therefore slipped out of the church, and up into the belfry, where they hid. In a few moments a man appeared who began to work at something. They sprang on him and seized his wrists, and found in one of his hands a thin line of horsehair, to one end of which a hook was attached. The holder being frightened, dropped the line and fled, and although M. de Laubardemont, the exorcists, and the spectators waited, expecting every moment that the cap would rise into the air, it remained quite firm on the owner’s head, to the no small confusion of Pere Lactance, who, all unwitting of the fiasco, continued to adjure Beherit to keep his word—of course without the least effect. Altogether, this performance of May 4th, went anything but smoothly. Till now no trick had succeeded; never before had the demons been such bunglers. But the exorcists were sure that the last trick would go off without a hitch. This was, that a nun, held by six men chosen for their strength, would succeed in extricating herself from their grasp, despite their utmost efforts. Two Carmelites and two Capuchins went through the audience and selected six giants from among the porters and messengers of the town.