United States -- Social life and customs -- 19th century -- Fiction
"That's good," said the young officer, cheerfully; "that's the way to
talk. Tell me where you live in Connecticut, and I'll lend you the
car-fare to get there. I'll expect it back with interest, you know,"
he said, laughing.
"Thank you," said the rejected applicant. "It's not so far but that I
can walk, and I don't think you'd believe in me if I took money."
"Oh, yes, I would," said the lieutenant. "How much do you want?"
"Thank you, but I'd rather walk," said the other. "I can get there
easily enough by to-morrow. I'll be a nice Christmas present, won't
I?" he added, grimly.
"You'll do," said the young officer. "I fancy you'll be about as
welcome a one as they'll get." He held out his hand and the other
shook it, and walked out with his shoulders as stiff as those of
Corporal Goddard.
Then he came back and looked into the room shyly. "I say," he said,
hesitatingly. The lieutenant ran his hand down into his pocket.
"You've changed your mind?" he asked, eagerly. "That's good. How much
will you want?"
The rejected applicant flushed. "No, not that," he said. "I just came
back to say--wish you a merry Christmas."
A PATRON OF ART
Young Carstairs and his wife had a studio at Fifty-seventh Street and
Sixth Avenue, where Carstairs painted pictures and Mrs. Carstairs
mended stockings and wrote letters home to her people in Vermont.
Young Carstairs had had a picture in the Salon, and was getting one
ready for the Academy, which he hoped to have accepted if he lived
long enough to finish it. They were very poor. Not so poor that there
was any thought of Carstairs starving to death, but there was at least
a possibility that he would not be able to finish his picture in the
studio, for which he could not pay the rent. He was very young and had
no business to marry; but she was willing, and her people had an idea
it would come out all right. They had only three hundred dollars left,
and it was mid-winter.
Carstairs went out to sketch Broadway at One Hundred and Fifty-ninth
Street, where it is more of a country road than anything else, and his
hands almost froze while he was getting down the black lines of the
bare trees, and the deep, irregular ruts in the road, where the mud
showed through the snow. He intended to put a yellow sky behind this,
and a house with smoke coming out of the chimney, and with red light
shining through the window, and call it _Winter_.
A horse and buggy stopped just back of him, and he was conscious from
the shadows on the snow that the driver was looking down from his
perch.
Public-domain text, read in full here on John Shaqi.
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