In a square, moderate-sized drawing-room, with tasty things scattered about it to catch the eye, stood a young lady, figuring off before the chimney-glass. Had you looked critically into the substantial furniture you might have found it old and poor; of a different class from the valuable furniture at Verner's Pride; widely different from the light, elegant furniture at Lady Verner's. But, what with white antimacassars, many coloured mats on which reposed pretty ornaments, glasses and vases of flowers, and other trifles, the room looked well enough for anything. In like manner, had you, with the same critical eye, scanned the young lady, you would have found that of real beauty she possessed little. A small, pretty doll's face with blue eyes and gold-coloured ringlets; a round face, betraying nothing very great, or good, or intellectual; only something fascinating and pretty. Her chief beauty lay in her complexion; by candle-light it was radiantly lovely, a pure red and white, looking like wax-work. A pretty, graceful girl she looked; and, what with her fascinations of person, of dress, and of manner, all of which she perfectly well knew how to display, she had contrived to lead more than one heart captive, and to hold it in fast chains. The light of the gas chandelier shone on her now; on her blue gauzy dress, set off with ribbons, on her sleepy, blue eyes, on her rose-coloured cheeks. She was figuring off before the glass, I say, twisting her ringlets round her fingers, and putting them in various positions to try the effect; her employment, her look, her manner, all indicating the very essence of vanity. The opening of the door caused her to turn her head, and she shook her ringlets into their proper place, and dropped her hands by her side, at the entrance of Lionel Verner. "Oh, Lionel! is it you?" said she, with as much composure as if she had not been caught gazing at herself. "I was looking at this," pointing to an inverted tumbler on the mantel-piece. "Is it not strange that we should see a moth at this cold season? Amilly found it this afternoon on the geraniums." Lionel Verner advanced and bent his head to look at the pretty speckled moth reposing so still on its green leaf. Did he see through the artifice? Did he suspect that the young lady had been admiring her own pretty face, and not the moth? Not he. Lionel's whole heart had long ago been given to that vain butterfly, Sibylla West, who was gay and fluttering, and really of little more use in life than the moth. How was it that he had suffered himself to love _her_? Suffered! Love plays strange tricks, and it has fooled many a man as it was fooling Lionel Verner.