Village Life in China: A Study in SociologySmith, Arthur H.
General
Village Life in China: A Study in Sociology
Smith, Arthur H.
China -- Social life and customs; Villages
In the larger towns, where fairs are held at more or less regular
intervals, it is usual, as already mentioned, to begin them with a
theatrical exhibition, on the first day of which hardly any business will
be done, the attendants being mainly occupied in gazing at or listening to
the play. In such cases the attendants can frequently be safely estimated
at more than 10,000 persons. In large fairs there is generally a
performance every day as long as the fair holds, an arrangement which is
found to be very remunerative from a financial point of view in attracting
attendance, and therefore customers.
From a social point of view, the most interesting aspect of Chinese
village theatricals is the impression which is produced upon the people as
a whole. This impression may be feebly likened to that which is made upon
children in Western lands, by the immediate imminence of Christmas, or in
the United States by the advent of a Fourth of July. To theatrical
holidays in China every other mundane interest must give way.
As soon as it is certain that a particular village is to have a theatre,
the whole surrounding country is thrown into a quiver of excitement.
Visits by young married women to their mothers' homes, always occasions to
both mothers and daughters of special importance, are for a long time
beforehand arranged with sole reference to the coming great event. All the
schools in all the neighbouring villages expect at such times a holiday
during the whole continuance of the theatricals. Should the teacher be so
obstinate as to refuse it (which would never be the case, as he himself
wishes to see the play) that circumstance would make no difference, for he
would find himself wholly deserted by all his pupils.
It is not only brides who take advantage of this occasion to visit their
relatives, but in general it may be said that when a village gives a
theatrical representation, it must count upon being visited, during the
continuance of the same, by every man, woman and child, who is related to
any inhabitant of the village and who can possibly be present. Every
Chinese family has a perfect swarm of relatives of all degrees, and the
time of a theatrical performance is an excellent opportunity to look in
upon one's friends. Whether these friends and relatives have been invited
or not, will make no difference. In the case of ordinary villagers, the
visitors would come even if they knew for certain that they were not
wanted.
Public-domain text, read in full here on John Shaqi.
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