She coaxed her perverse “mammy” to teach her new darky songs by reading
endless chapters in the Bible. All her spare time was spent in setting
them to appropriate accompaniments. She would sit and recount absurd
anecdotes to him by the hour in her slow, sweet monotone, as unsuggestive
of anything humorous as can well be imagined. Sometimes she fetched her
spinning-wheel and spun as she talked. He felt vexed with himself that
he could not sketch her as she sat plying the dull blue thread with
her nimble fingers. Her homespun dress dropped naturally into those
broad, generous folds beloved of sculptors. She had a clear, placid
profile, which always found shadows sufficiently willing to serve as
background for its pale beauty. Her head was noble in its contours, and
as graceful in its startled, listening movements as that of a stag.
Roden did make several attempts to fix her upon paper, but ended always
with a contemptuous exclamation and a hurried, clever drawing of a
steeple-chase, or Bonnibel, or some other equally horsy subject.
One day he happened to mention that as a lad he had played tolerably well
on the violin. Virginia rose at once, saying that she thought there was
one in the attic.
She took a candle, and went up the little corkscrew staircase that led
into the roof of the house--a dark, dusty, cavernous place, smelling of
mould and old books. There were many hair-covered trunks studded with
brass nails, heaps of old saddles and harness, fire-dogs, brass and
iron, a disused loom.
The corners of the room were veiled in a thick and rustling obscurity,
suggestive of parchment and rats. Onions and red peppers adorned the
ceiling.
Virginia set down the candle on one of the moth-eaten trunks, and lifted
the lid of a second.
A fine cloud of little white particles flew out into her face, as
impalpable, as easy of escape, as impossible to recapture, as the
contents of Pandora’s box. The girl thrust in her long brown arm, and
drew out a bunch of white ostrich feathers.
They were shedding their delicate moth-nibbled filaments like snow upon
her dark gown and the bare floor of the attic. She drew them caressingly
through her fingers as though in pity; it seemed to her sad that things
so charming should have so common a fate. She then stooped, and after a
little searching drew out the violin.
She was about to shut down the lid of the trunk when something caught her
eye--a bunch of cherry-colored ribbon, which burst from beneath a mass of
moth-eaten gray fur, like a sudden flame from covering ashes.
Public-domain text, read in full here on John Shaqi.
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