She tilted the little glass forward by means of one of her discarded shoes thrust behind it, and darted a shamefaced glance at her transformed self. Bravo! bravo! Miss Herrick! You are worthy of that famous name. So hath Abbey oft drawn Julia, plenteous in her shining skirts and tresses, beribboned, beautiful. Ah! what eyes! what lips! what an exquisite expression, half of self-conceit, half of timid uncertainty! What a throat for a dove to envy, supporting the face kissed brown by the sun, like an orchid whose stem is fairer than its flower! Snood up that banner of golden hair, my good Virginia; twist it about with the string of little shells you yourself gathered last summer; make yourself as lovely as possible, my little fawn, for the sacrifice. The gods have demanded it from time immemorial--a band of fair maidens every year to appease the Minotaur Despair. Good-by, Virginia; good-by; good-by. Never again will that dim green glass reflect such looks from you. Do not forget the violin. Was it not for him that you went to fetch it? Is it not for him that you have forced your strong young body into the curveless dress of 1761? Is it not all for him? And even unto the end will it not be for him? Roden, conscious only of her presence by the unusual rustling of her skirts, looked up questioningly. When he saw her, who she was, he started to his feet, his lips parting in an expression of utter amaze. It was as though one of the bepowdered Caryston dames had stepped from her massive gilt frame in the hall without and confronted him. He could say nothing but her name, in varied tones of astonishment, inquiry, and approval. She stood before him on her high heels as uncertain as a child learning to walk, smoothing out the much-creased folds of her gay attire with restless, nervous fingers, the stringless violin in her other hand. “I--I--I look a awful fool--don’t I?” she said, laughing not very merrily. “I--feel ’s ’f I’d sorter got roots to my feet in these shoes.” She thrust out one foot, in its incongruity of yarn stocking and Louis Quinze slipper, tilted it to one side, and regarded it in apparent absorption. Roden was only thinking what a charming picture she made tricked out in all this red and gold of other days. She stood there before him like a beautiful present, clad in the garments of a past as beautiful. He felt a strange sensation of having stepped back into the time of Henry Esmond and the Virginians. He glanced down at his wrists, half expecting to see lace ruffles spring to adorn them, under the magic of the hour. “You pretty child!” he said at last, “what on earth made you think of getting yourself up in this style?” But he knew that she was more than pretty. He would have liked to tell her so, only he was always very careful what he said to this little Virginian; and florid compliments, though perfectly adapted to the period of her costume, would smack of the familiar when considered under the lights of the nineteenth century.