World War, 1914-1918 -- Campaigns -- Iraq; World War, 1914-1918 -- Personal narratives
Within three days after the rise, the waters of the Wadi Hauran subsided
sufficiently for us to cross, and I received orders to return to Baghdad.
The rain had brought about a change in the desert since we passed through
on our way up. The lines of Paterson, the Australian poet, kept running
through my head:
"For the rain and drought and sunshine make no changes in the street,
In the sullen line of buildings and the ceaseless tramp of feet,
But the bush hath moods and changes, as the seasons rise and fall,
And the men who know the bushland they are loyal through it all."
The formerly arid floor of the desert was carpeted with a soft green, with
myriads of little flowers, all small, but delicately fashioned. There
were poppies, dwarf daisies, expanses of buttercups, forget-me-nots, and
diminutive red flowers whose name I did not know. It started raining
again, and we only just succeeded in winning our way through to Baghdad
before the road became impassable.
VI
BAGHDAD SKETCHES
Although never in Baghdad for long at a time, I generally had occasion to
spend four or five days there every other month. The life in any city is
complex and interesting, but here it was especially so. We were among a
totally foreign people, but the ever-felt intangible barrier of color was
not present. For many of the opportunities to mingle with the natives I
was indebted to Oscar Heizer, the American consul. Mr. Heizer has been
twenty-five years in the Levant, the greater part of which time he has
spent in the neighborhood of Constantinople. The outbreak of the war found
him stationed at one of the principal ports of the Black Sea. There he
witnessed part of the terrible Armenian massacres, when vast herds of the
wretched people were driven inland to perish of starvation by the
roadsides. Quiet and unassuming, but ever ready to act with speed and
decision, he was a universal favorite with native and foreigner alike.
Public-domain text, read in full here on John Shaqi.
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