WaynfleteColeridge, Christabel R. (Christabel Rose)
General
Waynflete
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
Guy thought that he would like it, and it was not till they were sitting
in the stalls that it struck his friend that Hamlet was not calculated
to divert his mind from the subject that engrossed it. Still, it must
be familiar to him.
But Cuthbert failed to realise that, though Guy believed himself to have
"read Shakespeare," it is possible for a country-bred youth, brought up
in an unliterary and non-play-going family, to bring an extremely fresh
interest to bear on our great dramatist, and though Guy was not quite in
the condition of the lady who, in the middle of the murder scene in
Macbeth, observed tearfully to her friend, "Oh dear, I am afraid this
cannot end well!" he was but dimly prepared for what he was going to
see. He gave an odd little laugh as the ghost crossed the stage, but
watched intently and quietly.
"What do you think of it?" said Cuthbert, in a pause. "He's not so bad,
is he?"
"He says some very remarkable things," said Guy, seriously. "Things
that seem true; but I never thought of them. Don't you suppose the
ghost was _there_, watching for him to act, often though he couldn't see
him?"
"Well, really," said Cuthbert; "I do think you have made a new remark on
Hamlet. I never heard that suggestion. We can go, you know, if you're
bored, any time."
"No," said Guy; "I like it."
Guy had the faculty of calling up distinct mental pictures. It was the
method by which he thought, and the moving scene stamped itself, as
plays sometimes will, both on his eyes and on his memory. When they
came out into the daylight he felt bewildered as if the world outside
was the unreal one.
"The ghost didn't do much good," he said; while Cuthbert, wishing he had
had more forethought, talked lightly and critically about the acting,
concerning which Guy was not critical at all.
When they set off on their night journey, Guy grew quiet, and presently
fell asleep. He looked tired, and the heavy eyelashes and the
wistfulness, which, in sleep, his mouth seemed to share, made him seem
younger than usual, and more in need of help. Suddenly he moved and
started, while a look of shrinking terror came into his face. Cuthbert
roused him, and he opened his eyes and caught his breath.
"Dreaming of the play?" said Cuthbert, lightly.
"No," said Guy. He leant back in his corner, and seemed slowly to
master himself, for presently he gave a little smile, and said, "I'm all
right, thank you."
Cuthbert thought that he could see exactly what the sort of thing was
now, and how it came about. Presently Guy began to talk about Hamlet,
asking many well-worn questions, and a few more unexpected ones.
Cuthbert, who had been working up all the criticisms for a set of
lectures, felt as he answered him rather like an orthodox, but
personally inexperienced professor of religion in the presence of an
earnest young inquirer.
Public-domain text, read in full here on John Shaqi.
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