Westward empire : $b or, the great drama of human progress — John Shaqi
Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Of the three orders perfected by the Greeks, the Corinthian would
appear to be the most entirely original, and, at the time of its
invention, the exactest symbol of their mind. The flower had fully
bloomed, and decrepitude was already begun. They could no longer
adequately execute the Doric order, with its integral sculpture and
painting, and had ceased to be satisfied with the chaste gracefulness
of Asiatic volutes. They began by raising the honeysuckle from around
the necking of the Ionic capital, and extended it over a vase-form
under a light abacus, intermingled with a few rosettes, but omitting
altogether the volutes. To this was after ward added the Persepolitan
water-leaf, and finally the crisp acanthus of Attica gave a rich
variety to the order, which constitutes its crowning charm. The
choragic monument of Lysicrates is the only pure type of this style;
and if sculpture and painting must be banished from architecture, this
is, doubtless, the most beautiful order extant.
Architecture expresses the difference among races, as language does
the variety of dialects. The Dorians built in the same style that was
employed by Pindar, Æschylus, and Thucydides in speech. The simplicity
and elegance of the Ionians are exemplified in their temple graces,
not less than in Homer's matchless verse, and the smooth rhythm of
Herodotus. The Corinthians, refined to effeminacy, were the last
architectural inventors in the old world, and they stamped upon their
production the delicate luxuriance which characterizes the language of
Isocrates. The opposing principles of Dorism and Ionism which prevailed
in all the institutions of Greece, politics, literature, customs, and
art, were boldly embodied in sculpture and architecture. The former
came from Egypt, and the latter from Asia; but both were alike indebted
to western genius for the refined symmetry which their respective
orders finally assumed. The zenith of perfection was not reached until
the Doric influence was impregnated by the Ionic, the material by the
spiritual, and Corinthian delicacy was born to perish in the grave of
its exhausted parents.
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