"Amy is now finding fifty snow-white pebbles, which when found are to be interred in one common grave among the shingle. If she fails to do this, she is to be changed to an electrical eel. The chief difficulty is that she loses her heart to particular pebbles. 'I can't bury you,' I hear her saying. "To return,--we have jolly little breakfasts together in the _salon_. They consist of coffee and rolls, and are served by a droll, snappish little _garcon_ with no teeth, and an Italian-French patois which is very hard to understand when he sputters. He told me the other day that he had been a _garcon_ for forty-six years, which seemed rather a long boyhood. "The company, as we meet them at table, are rather entertaining. Cousin Olivia and Lilly are on their best behavior to me because I am travelling with Mrs. Ashe, and Mrs. Ashe is Lieutenant Worthington's sister, and Lieutenant Worthington is Lilly's admirer, and they like him very much. In fact, Lilly has intimated confidentially that she is all but engaged to him; but I am not sure about it, or if that was what she meant; and I fear, if it proves true, that dear Polly will not like it at all. She is quite unmanageable, and snubs Lilly continually in a polite way, which makes me fidgety for fear Lilly will be offended, but she never seems to notice it. Cousin Olivia looks very handsome and gorgeous. She quite takes the color out of the little Russian Countess who sits next to her, and who is as dowdy and meek as if she came from Akron or Binghampton, or any other place where countesses are unknown. Then there are two charming, well-bred young Austrians. The one who sits nearest to me is a 'Candidat' for a Doctorate of Laws, and speaks eight languages well. He has only studied English for the past six weeks, but has made wonderful progress. I wish my French were half as good as his English is already. "There is a very gossiping young woman on the story beneath ours, whom I meet sometimes in the garden, and from her I hear all manner of romantic tales about people in the house. One little French girl is dying of consumption and a broken heart, because of a quarrel with her lover, who is a courier; and the _padrona_, who is young and pretty, and has only been married a few months to our elderly landlord, has a story also. I forget some of the details; but there was a stern parent and an admirer, and a cup of cold poison, and now she says she wishes she were dying of consumption like poor Alphonsine. For all that, she looks quite fat and rosy, and I often see her in her best gown with a great deal of Roman scarf and mosaic jewelry, stationed in the doorway, 'making the Pension look attractive to the passers-by.' So she has a sense of duty, though she is unhappy.