The city of Canterbury, originally an important station in Watling Street, the _Durovernum_ of the Romans, was one of the earliest places occupied by the Saxons, by whom it was named _Cantwarabyrig_, or "town of the Kentish men," and made the capital of the Saxon kingdom of Kent, and a royal residence. About 597 the abbey was founded by St. Augustine and his royal convert King Ethelbert. Canterbury was then constituted the seat of the primacy in England, a dignity it retains to this day. At the period of the Norman Conquest the city was of considerable size, and the castle, of which very little now remains, is reputed to be the work of William the Conqueror. The cathedral was burnt down at least twice before the present building was erected, but under the influence of the Norman archbishops, Lanfranc and Anselm, the erection of the new "Church of Christ" proceeded apace. But it was not until the end of the twelfth century that the murder of Becket set the whole of Europe ringing with excitement, and Canterbury rose at once into the front rank as an ecclesiastical city and pilgrims' shrine. At the time when Chaucer wrote his _Canterbury Tales_ the city was surrounded by a strong wall with twenty-one towers and six gates. Of the wall there are some remains in Broad Street; of the gates "West Gate," through which the pilgrims entered from London, is the only survivor. Canterbury teems with interesting relics of the past, and weeks may be spent in its old-world streets, where one is continually coming across unexpected little bits of half-timber work, weather-beaten gables, and grotesque oak carving. The cathedral, whose "Bell Harry" or central tower seems to dominate the whole city, should be approached through Mercery Lane, at the corner of which are some slight remains of Chaucer's hostelry, "The Chequers of Hope." At the bottom of the lane the cathedral close is entered by the famous Christ Church Gateway, erected by Prior Goldstone in 1517. Once inside the close gate the visitor gets some idea of the amazing beauty of the structure, which is certainly unsurpassed by any other cathedral in the kingdom. The building exhibits almost every style of architecture, from the Norman work of William of Lens to the late Perpendicular of Prior Goldstone, and yet the work of composition and design has been so exquisitely carried out that there is no hint of any want of harmony in the magnificent whole. The interior is no less remarkable, the arches and vaulting of the nave being some of the most beautiful in existence. Becket's shrine was despoiled at the Reformation, but the number of pilgrims who visited it may be imagined from the fact that the broad stone steps are worn hollow, and this only by the knees of his worshippers. The Angel doorway in the cloisters, by which the archbishop entered the sacred building pursued by his murderers, gives access on to the north-west or martyrdom transept. Here is shown the spot where the