It was a ridiculously operatic little cottage, composed chiefly of
bulging balconies, scarlet and yellow with geraniums and
nasturtiums, casement windows with tiny leaded panes, and double
Dutch doors, evidently practicable. It had all the air of having
retired from the other scenery to practice for its own act, and it
seemed highly probable that a chorus of happy short-skirted
peasantry would skip out from behind it and tunefully relate the
fortunes of the heroine within.
But the only person in sight was obviously impossible of such
classification. Though she was chopping wood, and chopping it very
well, though she wore what is sometimes called a Mother Hubbard
wrapper and a stiff, clean blue-checked apron, she was not in the
least a peasant. Her figure was tall and spare, her hair gray and
drawn into an uncompromising knot, her face wrinkled and shrewd, her
eyes soft, and full of the experience that middle-age brings to the
native American woman who has lived all her life in the
sparsely-settled country districts.
Her face relaxed at sight of her visitors. "How d'ye do?" she called
cheerfully, "ma want anything?"
"I don't believe so," Caroline returned sociably, "I've just come
up, that's all."
"I thought maybe your ma was worried about them shirt-waists, but
she needn't be: I'll have 'em back by Friday, sure. It'll be all I
can do, though--he's on the rampage these days, and I've got my
hands full, I tell you."
"Is Old Grumpy bad to-day?" Caroline inquired.
"Bad? Child, that old fellow is just about the worst I ever saw, and
I've seen plenty. What's on his mind the Lord knows, but it's a
lesson to us all to keep our tempers and not have secret thoughts
preying on us night and day! Just now he told me the truth for once.
'I'm so worried I can't digest, Luella,' he says to me, 'and I
digest so damnably that it's enough to worry an archangel!' There--I
shouldn't 'a' said that before you, but--"
"Oh, I know 'damn,' Luella," Caroline assured her, "and it isn't as
if you said it purposely, anyway; you just repeated it. It makes all
the difference."
"I guess it does," Luella assented, "s'long's you understand it. But
then, you understand everything, more or less, 'seems to me. Where
you picked it all up at your age--"
"What's that, Luella? Who is talking out there? What's going on
_now_ behind my back?"
A petulant and gray-haired gentleman rushed out at them, very much
like a wiry Scotch terrier, and glared fiercely at Caroline and
Henry D. Thoreau.
"Nothin's goin' on behind your back that I know of, Mr. Wortley,"
Luella returned composedly. "This little girl comes up to see me
every once 'n a while--I do washing for her mother at one of the
cottages--and we were just talkin' back and forth, that's all."
Public-domain text, read in full here on John Shaqi.
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