Whirlpools: A Novel of Modern PolandSienkiewicz, Henryk
General
Whirlpools: A Novel of Modern Poland
Sienkiewicz, Henryk
Poland -- Fiction
The aged notary sat for a while with bowed head, moving his toothless
jaws; afterwards he rose, and when the young maid placed the violin
beside the key-board, he ardently kissed her hands; after which he
threw a challenging look at those present as if he sought the person
who would dare to protest against that mark of homage or deem it a
superfluous act. Nobody, however, protested because under the
enchantment of that music that happened with the listeners which always
happens with mankind, when fanned by the breath of genius. As sometimes
in a dream it seems to a person that having shoved himself off the
earth with his feet, he afterwards reels a long time in the air, so,
too, their bodies became lighter, less material, as if deprived of
those heavy and gross elements which bound them to the earth. Their
nerves became more susceptible and subtle and their souls more
volatile, approaching more closely those boundaries on which eternity
begins. It was an unconscious feeling; after the passage of which the
daily life was to encompass and drag them down. But during this
momentary exaltation there awakened within them, unknown to themselves,
a power of apprehending, appreciating, and feeling beauty, and in
general such things as in their customary moods they had not felt and
did not know that they could have felt.
Even the young and unfledged physician, Laskowicz, notwithstanding all
his prejudices, could not resist this influence. The moment when
Marynia stood up to play, he began to scrutinize her from his dark
corner in the salon and examine her form as an anatomist. He was
conscious that there was something brutal in this, but such a viewpoint
gave him satisfaction, as being proper for an investigator and a man of
his convictions. He started to persuade himself that this young lady of
the so called higher spheres was for him merely an object which one
should examine in the same manner as a corpse on the dissecting-table
is examined. So, when tuning her violin, she bent her head, he took a
mental inventory of the Latin names of all her cranial bones, repelling
the thought which, against his will, rushed to his head that this was,
however, an extraordinarily noble skull. Afterwards, during the first
moments after the beginning of the concert, he became occupied with the
nomenclature of the muscles of her hands, arms, breast, limbs, outlined
under her dress and whole figure. But as he was not only a medical
student and a socialist, but also a young man, this anatomical review
ended in the conclusion that this was a girl, not yet sufficiently
developed, but exceedingly pretty and attractive, resembling a spring
flower. From that moment he began, to a certain extent, to forgive her
connection with spheres living "from the wrongs of the proletariat,"
and could not get rid of the thought that if, as a result of some
unheard-of social upheaval, such "a saintly doll" became dependent upon
Public-domain text, read in full here on John Shaqi.
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