White Wings: A Yachting Romance, Volume II — John Shaqi
White Wings: A Yachting Romance, Volume IIBlack, William
General
White Wings: A Yachting Romance, Volume II
Black, William
Yachting -- Fiction
We knew, however, what that trace of smoke indicated behind the dark
trees. By and by, as soon as the gig had got to the land, there was a
procession along the solitary shore—in the wan twilight—and up the rough
path—and through the scattered patches of birch and fir. And were you
startled, Madam, by the apparition of people who were so inconsiderate
as to knock at your door in the middle of dinner, and whose eyes, grown
accustomed to the shadows of the valleys of Mull, must have looked
bewildered enough on meeting the glare of the lamps? And what did you
think of a particular pair of eyes—very soft and gentle in their dark
lustre—appealing, timid, friendly eyes, that had nevertheless a quiet
happiness and humour in them? It was at all events most kind of you to
tell the young lady that her notion of throwing up her holiday and
setting out for London was mere midsummer madness. How could you—or any
one else—guess at the origin of so strange a wish?
*CHAPTER VIII.*
*BEFORE BREAKFAST.*
Who is this who slips through the saloon, while as yet all on board are
asleep—who noiselessly ascends the companion-way, and then finds herself
alone on deck? And all the world around her is asleep too, though the
gold and rose of the new day is shining along the eastern heavens.
There is not a sound in this silent little loch: the shores and the
woods are as still as the far peaks of the mountains, where the mists
are touched here and there with a dusky fire.
She is not afraid to be alone in this silent world. There is a bright
and contented look on her face. Carefully and quietly, so as not to
disturb the people below, she gets a couple of deck stools, and puts
down the large sketch-book from under her arm, and opens out a certain
leather case. But do not think she is going to attack that blaze of
colour in the east, with the reflected glare on the water, and the bar
of dark land between. She knows better. She has a wholesome fear of
chromo-lithographs. She turns rather to those great mountain masses,
with their mysteriously moving clouds, and their shoulders touched here
and there with a sombre red, and their deep and silent glens a cold,
intense green in shadow. There is more workable material.
Public-domain text, read in full here on John Shaqi.
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