"'Sad stories of the death of kings,'" he was explaining eagerly. "I
looked it up myself. Sort of sounded like Shakespeare."
"Oh! I thought it was 'Alice in Wonderland'!" Joan was surprised into
speech.
"That's a new one on me--'Alice in Wonderland,'"--commented the young
man. "Is it good stuff?"
"You've never read 'Alice in Wonderland'? What a queer childhood you
must have had!"
"Didn't have any," he replied, smiling up at her. Then he removed the
smile, made a respectful little bow, and went on out the door.
Joan found that she was blushing, hotly; and no wonder. She was shocked
by herself. She, one of Sister Mary Agnes's best exemplars of decorum,
had deliberately started and continued a conversation with a strange
young man met by chance on the dark stairway of a house where assuredly
gentlemen did not live. ("Unless very poor gentlemen," she amended; for,
ears or not, he seemed somehow to belong in the category of gentlehood.)
Nor had she even terminated the conversation. It was he who had done
that. He had shown more sense of the fitness of things than had she,
Joan Darcy!
It was all the effect of the hospitable old hall, Joan decided. The
house, like the roof of a friend, had introduced them. But what was he
doing in such a house? It was not the sort of abode that would appeal,
she fancied, to necktie drummers.
She opened Ellen's door without knocking. "Hello, there! Who's that I
met on the stairs, and why does he call you 'Mrs.,' you giddy old
fraud?"
A spoon dropped to the floor with a clatter as Ellen turned, beaming.
"Land sakes! You might as well kill a person as scare her to death," she
complained, far too pleased to admit it. "What you doin' down town this
time o' day, all dressed up like lady-come-to-see? What do you want,
eh?"
"Pancakes," explained Joan, ripping off her long gloves. "I'm going to
stay to supper, Nellen, so get me an apron and let's begin."
Ellen's smile widened. "Pancakes! On a hot night like this?"
Joan nodded. "Um-humm! And lemonade," she said, "and anything else you
can think of that's indigestible. Got any pickles?"
"What would a lone woman be doin' keepin' house without pickles?"
replied Ellen scornfully, producing them. "And there's a batch of
cinnamon rolls in the oven this minute, just as if I was expectin' you."
With a sigh of content, the girl reached down a yellow crockery bowl out
of the cupboard--she was on quite intimate terms with Ellen's
cupboard--and tying a gingham apron about her neck, proceeded to stir
batter. It was the same crockery bowl, and perhaps the same gingham
apron, in which she had stirred batter so long ago that she had been
obliged to stand on a footstool in order to reach the kitchen-table.
There was something substantial and fixed and unchangeable about Ellen
Neal and her possessions, something that spelled home, though it was
only home for other people.
Public-domain text, read in full here on John Shaqi.
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