"Enough for now. But whatever my uncle thought or wished, here, Guy, is
an estate to your hand to enjoy. What d'y' say, eh, to the life of a
Southern gentleman on his plantation? A hundred thousand acres, a
thousand slaves, a stable of the horses you love so, upland and river
bottom to hunt, dancing, riding, balls, the city in winter. Is not that
something better than the hard, uncertain sea, Guy?"
He had paused for my answer, but I made none. He was standing
motionless, except for the backward toss of his head and the deep
inhalation, three or four times, of the briny air from the flooding
river. There was disappointment in his voice when he took up the talk
again.
"Oh, Guy, between us two what a difference! I was born ashore, you at
sea, and yet
"'It's you for the back of a charging barb,
And me for the deck of a heaving brig!'"
In a lower voice he repeated the couplet, and was plainly vastly pleased
with it. "Faith, and I wonder is that my own, or something I read
somewhere. Something of the lilt of a Scotch strathspey to 't, shouldn't
you say? You know more of such things. What d'y' say--shall I claim that
for my own, Guy?"
"You do, sir, and it's not Homer, nor Dante, nor Keats who will rise up
to accuse you of plagiarism."
"Bah! You would no more allow me the merit of a poetic vein than--"
"Poetry, sir?"
"Poetry--why not?" and suddenly bending sidewise and forward, he essayed
to obtain a fuller view of my face. And it is true that I was thinking
of anything but poetry.
His face darkened as he gazed. "A hundred estates and plantations were
nothing to me against--" he burst out passionately, but no further than
that. He checked himself and went inside, and with no good-night going.
In the morning he was gone. I waited--one, two, three days, and then I
went also--to Savannah, where I saw the _Bess_, but so altered that it
needed a lifetime's intimacy to hail her in the stream. Her spars had
been sent down and her name was now the _Triton_, and to her bow and
stern was clamped the false work which left her with no more outward
grace than any clumsy coaster; and by these signs I knew that Mr.
Villard of Villard Manor would once more disappear and that Captain
Blaise would soon again be sailing the _Dancing Bess_ overseas.
Captain Blaise had not yet come aboard; but whatever ship he sailed the
full run of that ship was mine, and I went into his cabin to wait for
him.
It was after dark when he came over the side. It was always after dark
when he boarded the _Bess_ in home ports. His words were colder than his
expression when he addressed me. "And where are you bound?"
"I don't know yet, sir."
"And why not?"
"You have not yet told me, sir, where you are going."
"Suppose it should be the West Coast and the old trade?"
"I'm sorry, sir, but even so I go."
"And leave all that good life you love so at the Manor?"
Public-domain text, read in full here on John Shaqi.
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