William Blake: A Study of His Life and Art Work — John Shaqi
William Blake: A Study of His Life and Art WorkLangridge, Irene
General
William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
up into the life of that spirit where is no error nor negation.
It naturally follows that to Blake the one important point was to keep the
senses, "the chief inlet of soul," perpetually cleansed and open, that he
might descry the Great Reality of which Nature and all her phenomena are
but a symbol or shadow.
In fact, Blake's hope for man lay in the contrary of Herbert Spencer's
philosophy. The continuous evolution into new divisions and organisms,
separate selfhoods and particles, was to him the falling of Urizen, head
downwards, and bound with the snake of materiality, deeper and deeper into
the abyss. By union, not division, by aspiring into the universal life, by
conquering the selfhood and cleaving to the divine element (Jesus Christ)
which exists in every human heart, Blake conceived that man might, if he
would, find salvation, true vision, and everlasting life. His own vision
was always double or symbolic, and he prayed to be delivered from "single
vision" and "Newton's sleep." For the preoccupation with Nature as an end
in itself and an object worthy of study was to him the great error, a sign
of the horror of great darkness that clouded the human intelligence.
In moments of a special inrush of spiritual apprehension his vision was
"threefold," and sometimes "fourfold," which suggests that vista behind
vista unrolled itself, revealing untellable truth and beauty to his keen
etherealized sight.
These things, not being matters of common experience, must be received and
understood intuitively, and not Blake himself can always make them
comprehensible to us. His language and visions recall the language and
visions of the Prophet Ezekiel, whose writings were read and re-read by
him till they created a frenzy of excitement in his sensitive brain.
His opinion of women, far from being in accordance with our modern
emancipated views, was somewhat oriental, though among his poems we may
find many instances of sweet and spiritual femininity.
Public-domain text, read in full here on John Shaqi.
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