Nelson, William, 1816-1887; Publishers and publishing
Brighter associations connect themselves with a scene in the
drawing-room of Salisbury Green which transpired in recent years. On a
lovely Sabbath morning, when the windows were open on to the lawn, and
all were assembled for family worship, as William Nelson was reading a
chapter from the Bible, a starling flew into the room. It alighted and
kept hopping about his chair, till all knelt down; when, instead of
being startled, it perched on his shoulder, remaining quietly there all
the time of prayer. When the family rose from their knees, it was
thought that the bird would fly away; but it refused to quit its novel
perch. He walked with it on his shoulder up to the nursery, where a
large bowl of water was placed upon the table, when “Charlie,” as their
pet starling was subsequently named, hopped down to enjoy the luxury of
a bath. A cage was procured; but Mr. Nelson would not hear of its being
shut in. Ultimately, Charlie was housed in a large open cage in the
laundry, with free access to the garden. There he made himself entirely
at home, and became a great favourite; but after some time he flew off
into the garden and did not return. One evening, at a later date, when
the family were seated on the lawn, a starling--possibly
Charlie--perched on one of the children’s shoulders; and that was the
last they ever saw of their little visitor.
There was a rare naturalness and simplicity in William Nelson. He was at
ease in any company, and equally accessible to poor as to rich. Yet,
with all this, he was singularly undemonstrative. As one of his old
friends writes, “he was no hand-shaker;” so that a stranger could never
have guessed the deep sympathies that lay concealed under his quiet
manner. Yet when his pity was excited his emotion was extreme, and he
betrayed the tender sensitiveness of a woman, his tears flowing
unrestrained. When his mother, to whom he was passionately attached, lay
dying, he shrank from entering the room, where the sight of her
suffering overpowered him. But he lingered about the door of the
apartment, and could not stay away. When moved with apprehension of the
safety of those most dear to him--as on one occasion which I recall,
when in deep anxiety about the safety of his son--his emotion was even
painful to witness. But his capacity for enjoyment was equally great,
and retained in it to the last much of the freshness of childhood. A
“Punch and Judy,” especially with a group of children enjoying the show,
never lost its charm for him. Another kindly trait of unsophisticated
naturalness was the pleasure he derived from street music. He would wait
to listen to a ballad-singer, and after a liberal gift, ask to have the
song over again. A blind bagpiper was irresistible, though more, I
suspect, as an object of charity than for the charm of his music. A
cornopean player and sundry German bands came regularly to his office
window, and “the Rhine Watch” was sure to call forth half-a-crown.
Public-domain text, read in full here on John Shaqi.
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