Bildungsromans; Fathers and sons -- Fiction; Young men -- Fiction
For an hour he stood there staring into the darkness and watched with
delight the progress of the storm. He had--an inheritance from his
mother--a love of thunderstorms. He remembered a night when he was a boy
and his mother had got out of bed and gone here and there through the
house singing. She had sung softly so that the sleeping father did
not hear, and in his bed upstairs Sam had lain awake listening to the
noises--the rain on the roof, the occasional crash of thunder, the
snoring of Windy, and the unusual and, he thought, beautiful sound of
the mother singing in the storm.
Now, lifting up his head, he looked about with delight. Trees in the
grove in front of him bent and tossed in the wind. The inky blackness of
the night was relieved by the flickering oil lamp in the road beyond
the graveyard and, in the distance, by the lights streaming out at the
windows of the houses. The light coming out of the house against which
he stood made a little cylinder of brightness among the pine trees
through which the raindrops fell gleaming and sparkling. An occasional
flash of lightning lit up the trees and the winding road, and the
cannonry of the skies rolled and echoed overhead. A kind of wild song
sang in Sam’s heart.
“I wish it would last all night,” he thought, his mind fixed on the
singing of his mother in the dark house when he was a boy.
The door opened and a woman stepped out upon the veranda and stood
before him facing the storm, the wind tossing the soft kimono in which
she was clad and the rain wetting her face. Under the tin roof, the air
was filled with the rattling reverberation of the rain. The woman lifted
her head and, with the rain beating down upon her, began singing, her
fine contralto voice rising above the rattle of the rain on the roof and
going on uninterrupted by the crash of the thunder. She sang of a lover
riding through the storm to his mistress. One refrain persisted in the
song--
“He rode and he thought of her red, red lips,”
sang the woman, putting her hand upon the railing of the little porch
and leaning forward into the storm.
Sam was amazed. The woman standing before him was Mary Underwood, who
had been his friend when he was a boy in school and toward whom his mind
had turned after the tragedy in the kitchen. The figure of the woman
standing singing before him became a part of his thoughts of his mother
singing on the stormy night in the house and his mind wandered on,
seeing pictures as he used to see them when a boy walking under
the stars and listening to the talk of John Telfer. He saw a
broad-shouldered man shouting defiance to the storm as he rode down a
mountain path.
“And he laughed at the rain on his wet, wet cloak,” went on the voice of
the singer.
Mary Underwood’s singing there in the rain made her seem near and
likeable as she had seemed to him when he was a barefoot boy.
“John Telfer was wrong about her,” he thought.
Public-domain text, read in full here on John Shaqi.
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