"Old Greek sophistry! Knowing requires a subject to know and an object to
be known. You can't be subject and object too--introspection is a
self-contradiction. Hasn't every one noticed that everybody else fails to
discover himself in a novel or a sermon, though his lineaments are
painted down to the minutest details of wart and mole? And it's quite
natural. Every soul is to itself the centre of the universe--through
which the infinite panorama passes; nothing exists but in relation to it:
to its standards of beauty, of right and wrong, of humour, of admiration,
everything is brought. There's no man so low or so ridiculous but he
finds somebody else more so, and the London street-boy who sneers at the
long-haired poet is exalted to a sense of superiority. I once met a human
monstrosity--hunch-backed, cross-eyed, palsied, and wooden-legged. My
soul sickened with pity, but his face brightened in a smile of contempt
and his cross-eyes danced with glee. I appealed to his sense of the
ridiculous. Listen to the comments of people upon one another after a
party, and confess that a coterie is often but a mutual contempt society.
That is what makes life livable--every living creature is an amused eye
upon the universe. Terence said as much long ago. We amuse one another,
and exist to gratify one another's sense of superiority, like the
islanders who live by taking in one another's washing. It will be a
thousand pities if the spread of travelling removes the mutual
superiorities of Englishmen and Frenchmen, Chinamen and Hindoos. I went
to a dinner-party the other day. The host and hostess were
impossible--like spiteful studies by Thackeray caricatured by Dickens.
Yet there were they arrogating to themselves every privilege of judgment
and jurisdiction that the most fashionable peers or the sublimest souls
could claim; to their own minds the arbiters of elegance, the patrons of
the arts, the flagellators of vice and snobbery, the gracious laudators
of virtue, the easy fomenters of scandal.
Public-domain text, read in full here on John Shaqi.
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