Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
They went down together. Lorimer got her a biscuit, an ice, and a glass
of champagne, and this light refreshment reanimated her.
On their way back to the drawing-room Lorimer took up the thread of the
conversation again.
"Come now, my dear Dora," said he, "your lot is very enviable after all,
you know. You are young, beautiful, rich, adored--one of the queens of
society. What more do you ask?"
"I ask nothing more," replied Dora; "I ask a great deal less. A queen in
society! I had rather be queen at home, as I used to be. We were left in
peace in those times. Now all the idlers pry into our life. And why?
Oh, it is too silly! Because Philip refused to sell Sir Benjamin Pond a
picture which he was painting for me. Yes, that is what is occupying
them to-night. They all go to have a look at the portrait, one after
another, and then they laugh. Can you conceive such a thing? There
exists, or rather there existed, a painter who loved his wife, and did
not mind showing it! Is it not droll? So vulgar, you know! It appears
that it creates high fun at the clubs. Ah, you may talk about women's
tongues, but to retail rubbish and circulate scandal, you must get a
dozen men together in a club smoking-room. They are beyond competition,
my dear Gerald. I would give all my guests for a couple of intimate
friends, for a couple of devoted relatives. Ah, you may say what you
like, blood is thicker than afternoon tea."
"You were too happy," said Lorimer, who had been amused at Dora's
tirade; "now you must share your happiness a little."
"Yes, and my husband with everybody. Where is my share? How I should
like to leave this room and go and sit in a quiet corner for a good
talk, such as we used to have in the good old times in the other house."
"Why move? Stay where you are, and instead of thinking yourself on
show, try and imagine that all this crowd is here for your amusement. I
know all your guests personally or by sight. I am your 'Who's who' for
to-night. Make use of me. I will show and explain the magic lantern."
"So you shall," said Dora, amused by the suggestion. "Now, then, who is
that horrible creature painted and dyed, with eyes half out of her head
and an eternal sickly smile on her face?"
"Lady Agatha Ashby, an old grump of the fashionable world. No one knows
her age. Some say it is seventy-two, others put it at a hundred and
seventy-two. She is enamelled, and the mouth, as you see it, is fixed in
that way with a smile that lasts three hours. They say she used to be
pretty and rather witty. Makes it her duty to know everybody worth
knowing. Will probably leave memoirs behind her--a diary at anyrate."
"And those?" said Dora, indicating two couples passing near her.
"The Earl of Gampton. Behind him the Countess, a young American woman,
who brought him three million dollars, with which he has been able to
get his coat-of-arms out of pawn. Our British aristocracy gets regilded
in Chicago and New York."
Public-domain text, read in full here on John Shaqi.
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