It was fitting enough that the women of Italy, the successors of the
older Roman women, should reopen the field of culture, but the
inspiration was to pass into other lands before it would raise the
general question of woman's position. Boccaccio was no feminist,
but his study of the lives of illustrious men and women led to a
practice of making encyclopædias of feminine biography, which was
bound to suggest the question of woman's capacity. An Italian monk
so far discarded the spirit of his order as to write two volumes (of
800 pages each) on distinguished women--170 in number--of the
fifteenth and sixteenth centuries. A Roman cardinal and other
prelates indulged the same genial humour. Ribera beat all the
records with a comprehensive account of the careers of 845
distinguished women of all ages. The Renaissance ideal had quickly
passed to Spain, where one reads of a Juliana Morelli of Barcelona
speaking fourteen languages, and an Isabella of Cordova, of some
distinction in theology.
It was, however, in the more northern lands that the new movement
was to develop further. Italy and Spain were decaying. The
Reformation would soon set them in antagonism to the bolder culture
they had inspired in the north, and political despotism would stifle
the growth of their spirit. They handed on the torch to Germany,
France, and England, and slowly sank into the torpor of the
eighteenth and early nineteenth centuries.
The women of Germany were the last to be stirred, and the stirring
was soon arrested by the Reformation and the religious wars. One
powerful work, however, was published in Germany in 1505--the Latin
treatise of the great scholar Cornelius Agrippa, _De nobilitate et
præcellentia feminini sexus_ ("Of the nobility and excellence of
the female sex"). Agrippa maintained that the souls of men and
women were equal, and that equal education should and could be given
to women. The controversy that followed would, with a few changes of
terms, entirely reflect the modern controversy about woman's
capacity. But little progress was made, for the reasons I have
given.
Public-domain text, read in full here on John Shaqi.
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