Op. 1, Quartre Polonaises, piano. Op. 2, Caprices en Forme de Valses, piano. Op. 3, Romance Variee, piano. Op. 4, Valses Romantiques, piano. Op. 5, Four Pieces Caracteristiques, piano. Op. 6, Soirees Musicales, 6 pieces, piano. Op. 7, Piano Concerto in A minor. Op. 8, Variations de Concert (Pirate de Bellini), piano. Op. 9, Souvenir de Vienne, Impromptu, piano. Op. 10, Scherzo for piano. Op. 11, Three Romances, piano. Op. 12, Three Songs from Rueckert's "Liebesfruehling." Op. 13, Six Songs. Op. 14, Second Scherzo, piano. Op. 15, Four Pieces Fugitives, piano. Op. 16, Three Preludes and Fugues, piano. Op. 17, Trio, G minor, for piano, violin, and 'cello. Op. 18 and 19 did not appear. Op. 20, Piano variations on a theme of Robert Schumann. Op. 21, Three Romances, piano. Op. 22, Three Romances, piano and violin. Op. 23, Six Songs from Rollet's "Jucunde." Without opus number, Cadenzas to Beethoven's concertos, Op. 37 and 58; Song, "Liebeszauber," Geibel; Andante and Allegro for piano; Song, "Am Strand;" and a march in E flat, composed in 1879 for a golden wedding. Clara Schumann edited Breitkopf and Haertel's edition of her husband's works, and issued a volume of his early letters. CHAPTER V. OTHER MUSICAL ROMANCES Although some of the great composers remained unmarried, many of them were influenced by women, and the effect is frequently visible in their compositions. Dedications of musical works to women are apparently a matter of little moment, but often they are surface indications of some deep feeling underneath, which is expressed in the music. Especially will this be found true in Beethoven's case, but it applies also to Schubert and other composers. If George Frederick Handel never married, it was certainly not from lack of an opportunity to do so. In 1703, while still in his teens, he journeyed with his friend Mattheson, who was in search of a post as organist, from Hamburg to Luebeck. The place was occupied by the renowned Buxtehude, who was so advanced in age that he was forced to look for a successor. The two young aspirants tried the organs and clavicembalos, but did not care to accept the post. It seems that one of the conditions bound the successful applicant to marry the organist's daughter, and neither of them showed the slightest inclination to take this decisive step.