Yama [The Pit], a Novel in Three Parts — John Shaqi
Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“And all the more so,” said Lichonin, letting the subprofessor pass
ahead; “all the more so, since this house guards within it so many
historical traditions. Comrades! Decades of student generations gaze
upon us from the heights of the coat-hooks, and, besides that, through
the power of the usual right, children and students pay half here, as
in a panopticon. Isn’t that so, citizen Simeon?”
Simeon did not like to have people come in large parties—this always
smacked of scandal in the not distant future; moreover, he despised
students in general for their speech, but little comprehensible to him,
for their propensity towards frivolous jokes, for their godlessness,
and chiefly because they were in constant revolt against officialdom
and order. It was not in vain that on the day when on the Bessarabian
Square the cossacks, meat-sellers, flour dealers and fish mongers were
massacring the students, Simeon having scarce found it out had jumped
into a fine carriage passing by, and, standing just like a chief of
police in the victoria, tore off to the scene of the fray in order to
take part in it. He esteemed people who were sedate, stout and elderly,
who came singly, in secret, peeped in cautiously from the ante-room
into the drawing room, fearing to meet with acquaintances, and very
soon and with great haste went away, tipping him generously. Such he
always styled “Your Excellency.”
And so, while taking the light grey overcoat off Yarchenko, he sombrely
and with much significance snarled back in answer to Lichonin’s banter:
“I am no citizen here, but the bouncer.”
“Upon which I have the honour to congratulate you,” answered Lichonin
with a polite bow.
There were many people in the drawing room. The clerks, having danced
their fill, were sitting, red and wet, near their ladies, rapidly
fanning themselves with their handkerchiefs; they smelt strongly of old
goats’ wool. Mishka the Singer and his friend the Book-keeper, both
bald, with soft, downy hairs around the denuded skulls, both with
turbid, nacreous, intoxicated eyes, were sitting opposite each other,
leaning with their elbows on a little marble table, and were constantly
trying to start singing in unison with such quavering and galloping
voices as though some one was very, very often striking them in the
cervical vertebrae:
“They fe-e-e-l the tru-u-u-u-uth!”
while Emma Edwardovna and Zociya with all their might were exhorting
them not to behave indecently. Roly-Poly was peacefully slumbering on a
chair, his head hanging down, having laid one long leg over the other
and grasped the sharp knee with his clasped hands.
The girls at once recognized some of the students and ran to meet them.
“Tamarochka, your husband has come—Volodenka. And my husband
too!—Mishka!” cried Niura piercingly, hanging herself on the neck of
the lanky, big-nosed, solemn Petrovsky. “Hello, Mishenka. Why haven’t
you come for so long? I grew weary of waiting for you.”
Public-domain text, read in full here on John Shaqi.
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