as was caused by the hurried leave-takings with wives and mothers, and
all the rest who crowded round. The contingent took the road to Thirsk,
and on the way were joined by the Mashamshire men. Whether it was with
relief or disappointment I do not know; but when the volunteers reached
Thirsk they heard that they had been called out by a false alarm, for
the light seen in the direction of Roseberry Topping had been caused by
accident, and the beacon on that height had not been lit. After all, the
scare did no harm, for it showed the mettle of the Dalesmen, and they
were afterwards thanked by Parliament for their prompt response to the
signal.
On the side of Penhill that looks full towards Bolton Castle there still
remain the foundations of the chapel of the Knight Templars, who must
have established their hospital there soon after 1146, when the Order
was instituted in England.
Wensley stands just at the point where the dale, to which it has given
its name, becomes so wide that it begins to lose its distinctive
character. The village is most picturesque and secluded, and it is small
enough to cause some wonder as to its distinction in naming the valley.
It is suggested that the name is derived from _Wodenslag_, and that in
the time of the Northmen’s occupation of these parts the place named
after their chief god would be the most important. In its possession of
a pleasant sloping green, dominated by a great elm, round whose base has
been built a circular platform, Wensley is particularly happy. The Ure,
flowing close at hand, is crossed by a fine old bridge, whose pointed
arches must have survived many centuries; for Leland says that it was
built by ‘_Alwine_, Parson of _Wencelaw_,’ ‘200 Yer ago and more,’ that
statement being made about the year 1538.
In the little church standing on the south side of the green there is so
much to interest us that we are almost unable to decide what to examine
first, until, realizing that we are brought face to face with a
beautiful relic of Easby Abbey, we turn our attention to the parclose
screen. It surrounds the family pew of Bolton Hall, and on three sides
we see the Perpendicular woodwork fitted into the east end of the north
aisle. The side that fronts the nave has an entirely different
appearance, being painted and of a classic order, very lacking in any
ecclesiastical flavour, an impression not lost on those who, with every
excuse, called it ‘the opera box.’ In the panels of the early part of
the screen are carved inscriptions and arms of the Scropes covering a
long period, and, though many words and letters are missing, it is
possible to make them more complete with the help of the record made by
the heralds in 1665.
Public-domain text, read in full here on John Shaqi.
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