After supper Cressida told me his story. His parents, both poor
musicians,--the mother a singer--died while he was yet a baby, and he
was left to the care of an arbitrary uncle who resolved to make a priest
of him. He was put into a monastery school and kept there. The organist
and choir-director, fortunately for Blasius, was an excellent musician, a
man who had begun his career brilliantly, but who had met with crushing
sorrows and disappointments in the world. He devoted himself to his
talented pupil, and was the only teacher the young man ever had. At
twenty-one, when he was ready for the novitiate, Blasius felt that the
call of life was too strong for him, and he ran away out into a world
of which he knew nothing. He tramped southward to Vienna, begging and
playing his fiddle from town to town. In Vienna he fell in with a gipsy
band which was being recruited for a Paris restaurant and went with them
to Paris. He played in cafés and in cheap theatres, did transcribing for
a music publisher, tried to get pupils. For four years he was the mouse,
and hunger was the cat. She kept him on the jump. When he got work he
did not understand why; when he lost a job he did not understand why.
During the time when most of us acquire a practical sense, get a
half-unconscious knowledge of hard facts and market values, he had been
shut away from the world, fed like the pigeons in the bell-tower of his
monastery. Bouchalka had now been in New York a year, and for all he knew
about it, Cressida said, he might have landed the day before yesterday.
Several weeks went by, and as Bouchalka did not reappear on Tenth Street,
Cressida and I went once more to the place where he had played, only to
find another violinist leading the orchestra. We summoned the proprietor,
a Swiss-Italian, polite and solicitous. He told us the gentleman was not
playing there any more,--was playing somewhere else, but he had forgotten
where. We insisted upon talking to the old pianist, who at last
reluctantly admitted that the Bohemian had been dismissed. He had arrived
very late one Sunday night three weeks ago, and had hot words with the
proprietor. He had been late before, and had been warned. He was a very
talented fellow, but wild and not to be depended upon. The old man gave
us the address of a French boarding-house on Seventh Avenue where
Bouchalka used to room. We drove there at once, but the woman who kept
the place said that he had gone away two weeks before, leaving no
address, as he never got letters. Another Bohemian, who did engraving
on glass, had a room with her, and when he came home perhaps he could
tell where Bouchalka was, for they were friends.
Public-domain text, read in full here on John Shaqi.
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