1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
When this bit of good luck had dispelled all the melancholy of the
family, Johnny himself proceeded to tell Mr. and Mrs. Sandboys how,
after ’listing in the Guards, he had received an injury while riding,
and how he had then been presented with a berth in the London Police,
whence he had been promoted to the post he at present filled in
Manchester.
In a short time Mr. and Mrs. Sandboys had in a measure forgotten all
their previous troubles and distresses, in the kindness and hospitality
of Inspector Wren.
After partaking of such fare as his establishment afforded, Mr. Sandboys
proceeded, under the guidance of the Inspector, to take a glance round
the town.
Manchester at any time is, perhaps, one of the peculiar sights that this
country affords.
To see the city of factories in all its bustle and all its life, with
its forests of tall chimneys, like huge masts of brick, with long black
flags of smoke streaming from their tops, is to look upon one of those
scenes of giant industry that England alone can show. As you pace its
busy streets, you hear the drone of a thousand steam-engines, humming in
the ears like a hive. As you sit in your home, you feel the floor
tremble with the motion of the vast machinery, whirling on every side.
Here the buildings are monstrous square masses of brick, pierced with a
hundred windows, while white wreaths of steam puff fitfully through
their walls. Many a narrow thoroughfare is dark and sunless with the
tall warehouses that rise up like bricken cliffs on either side. The
streets swarm with carts and railway-vans, with drivers perched high in
the air, and “lurrys”—some piled with fat round bags of wool, others
laden with hard square stony-looking blocks of cotton, and others filled
with many a folded piece of unbleached woven cloth. Green covered vans,
like huge chests on wheels, rattle past,—the bright zinc plates at their
sides, telling that they are hurrying with goods to or from some
“calender,” “dyer,” or “finisher.”
At one door stands a truck laden with red rows of copper cylinders, cut
deep with patterns. This basement or kitchen is transformed into the
showroom of some warehouseman, and as you look down the steps into the
subterranean shop, you can see that in front of where the kitchen range
should stand, a counter extends, spread with bright-coloured velveteens,
while the place of the dresser is taken up with shelves, filled with
showy cotton prints. The door-posts of every warehouse are inscribed
with long catalogues of names, like those of the Metropolitan Inns of
Court; and along the front of the tall buildings, between the different
floors, run huge black boards, gilt with the title of some merchant
firm.
Public-domain text, read in full here on John Shaqi.
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