(2) _Secondary attention._—This casual and forced attention is not,
however, what we ordinarily mean when we speak of ‘giving attention’
to something. We mean rather the sustained attention that we pay to a
task, a lecture, a puzzle; we often mean an attention that goes against
the grain, in which _we_ seem to do the forcing, holding our mind
by main force upon a tedious and uninteresting subject. Is not this
secondary attention very different from primary attention? Let us see.
If you think how many sense-organs man has, all of them open to
manifold stimulation at the same time; and if you think, further, how
many different lines of interest man has, all of them likely to bring
up ideas of memory or ideas of imagination; you will realise that only
very powerful stimuli, those that make an unescapeable biological
appeal to the organism, can compel attention—that is, can thrust
their sensations to the focus—as if in disregard of competition. Such
stimuli are _hors de concours_; all the rest have to face their rivals.
This fact gives us the answer to our question. Secondary attention is
in reality nothing else than _a conflict of nerve-forces, each one of
which, if it were acting alone, would make its sensation or image the
most vivid bit of experience at the moment, but each one of which is
continually checked and thwarted by other forces that are urging their
own sensations or images to the front_. We might say, in brief, that
secondary attention is a conflict of two or more primary attentions;
but we must remember that the actual fighting is done in the nervous
system; we shall say more of that presently. We can observe some part
of this struggle; our mind wanders, our eye is caught by some chance
movement and we lose the thread of our work, we surprise ourselves
thinking of something else, we look at our watch to see how the hour
is going; in a word, the focal processes are instable; now one and now
another perception or idea becomes more vivid than the rest; and the
continual shift of vividness is proof of the conflict of the underlying
nerve-forces.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account