A Beleaguered City: Being a Narrative of Certain Recent Events in the City of Semur, in the Department of the Haute Bourgogne. A Story of the Seen and the UnseenOliphant, Mrs. (Margaret)
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A Beleaguered City: Being a Narrative of Certain Recent Events in the City of Semur, in the Department of the Haute Bourgogne. A Story of the Seen and the Unseen
Oliphant, Mrs. (Margaret)
Burgundy (France) -- Fiction; Fantasy fiction, English; Paranormal fiction
There we stood for some minutes, like two children, holding each other's
hands, leaning against each other at the corner of the square--as
helpless as children, waiting for what should come next. I say it
frankly, my brain and my heart were one throb. They plunged and beat so
wildly that I could scarcely have heard any other sound. In this respect
I think he was more calm. There was on his face that look of intense
listening which strains the very soul. But neither he nor I heard
anything, not so much as a whisper. At last, 'Let us go on,' I said. We
stumbled as we went, with agitation and fear. We were afraid to turn our
backs to those empty houses, which seemed to gaze at us with all their
empty windows pale and glaring. Mechanically, scarce knowing what I was
doing, I made towards my own house.
There was no one there. The rooms were all open and empty. I went from
one to another, with a sense of expectation which made my heart faint;
but no one was there, nor anything changed. Yet I do wrong to say that
nothing was changed. In my library, where I keep my books, where my
father and grandfather conducted their affairs, like me, one little
difference struck me suddenly, as if some one had dealt me a blow. The
old bureau which my grandfather had used, at which I remember standing
by his knee, had been drawn from the corner where I had placed it out
of the way (to make room for the furniture I preferred), and replaced,
as in old times, in the middle of the room. It was nothing; yet how much
was in this! though only myself could have perceived it. Some of the old
drawers were open, full of old papers. I glanced over there in my
agitation, to see if there might be any writing, any message addressed
to me; but there was nothing, nothing but this silent sign of those who
had been here. Naturally M. le Curé, who kept watch at the door, was
unacquainted with the cause of my emotion. The last room I entered was
my wife's. Her veil was lying on the white bed, as if she had gone out
that moment, and some of her ornaments were on the table. It seemed to
me that the atmosphere of mystery which filled the rest of the house was
not here. A ribbon, a little ring, what nothings are these? Yet they
make even emptiness sweet. In my Agnès's room there is a little shrine,
more sacred to us than any altar. There is the picture of our little
Marie. It is covered with a veil, embroidered with needlework which it
is a wonder to see. Not always can even Agnès bear to look upon the face
of this angel, whom God has taken from her. She has worked the little
curtain with lilies, with white and virginal flowers; and no hand, not
even mine, ever draws it aside. What did I see? The veil was boldly
folded away; the face of the child looked at me across her mother's bed,
and upon the frame of the picture was laid a branch of olive, with
silvery leaves. I know no more but that I uttered a great cry, and flung
myself upon my knees before this angel-gift. What stranger could know
Public-domain text, read in full here on John Shaqi.
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