A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
He was tall, of good proportion, and well-favoured. He had his
peculiarities in dress, particularly as to his hat, which was an
undoubted original. Mr. Packer’s opponents in Hogarth prints were two
persons, one of the name of Vincent, a tall, half-starved-looking man,
who walked with a high gilt chased-headed cane (he had been a chaser of
milk-pots, watch-cases, and heads of canes, and he always walked with
this cane as a show-article), and the other of the name of Powell, better
known under the appellation of “_Old black wig_.”
Henderson, the player,[220] who was also a collector of Hogarth’s works,
seldom made his appearance on these boards--John Ireland being his
deputy-manager.[221]
I must not omit to mention another singular but most honourable
character, of the name of Heywood, nicknamed “Old Iron Wig.” His dress
was precise, and manner of walking rather stiff. He was an extensive
purchaser of every kind of article in art, particularly Rowlandson’s
drawings; for this purpose he employed the merry and friendly Mr.
Seguier,[222] the picture-dealer, a schoolfellow of my father’s, to bid
for him.
I shall now close this list by observing that my early friend and
fellow-pupil, Rowlandson, who has frequently made drawings of Hutchins
and his print-auctions, has produced a most spirited etching, in which
not only many of the above-described characters are introduced, but also
most of the printsellers of the day. There is another, though it must
be owned very indifferent, plate, containing what the publisher called
“Portraits of Printsellers,” from a monotonous drawing by the late
Silvester Harding, whose manner of delineation made persons appear to
be all of one family, particularly his sleepy-eyed and gaudily-coloured
drawings of ladies.
1787.
At this time my mimic powers induced Delpini the clown,[223] who had
often been amused with several of my imitations of public characters,
to mention me to Mr. John Palmer,[224] who, after listening to my
specimens, promised me an engagement at the Royalty Theatre, which was
then erecting; but as that gentleman was too sanguine, and failed in
procuring a licence, I, as well as many other strutting heroes, was
disappointed.
Public-domain text, read in full here on John Shaqi.
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