We then returned through Green Street; and at a cottage we discovered an Elizabethan door, profusely studded with flat-headed nails. This piece of antiquity Samuel Ireland stopped to make a drawing of, which circumstance I beg the reader will keep in mind, as it will be mentioned hereafter. We then, after descanting upon the beauties of Waltham Cross, proposed to visit the father of the Tulip-trees, an engraving of which appeared in Farmer’s _History of Waltham Abbey_.[247] We looked in vain for a portion of King Harold’s tomb. There were remains of it in Strutt’s early days: he made a drawing of them. Our next visit was to a small ancient elliptic bridge in a field a little beyond the pin-manufactory; this bridge has ever been held as a great curiosity, and one of high antiquity. As we returned through Cheshunt, we rummaged over a basket of old books placed at the door of the barber’s shop, where Sir James Lake bought an excellent copy of Brooke’s _Camden’s Errors_ for sixpence, and also an imperfect copy of Burton’s _Anatomy of Melancholy_, for the sake of a remarkably fine impression of a portrait of its author on the title-page. After dining at the Red Lion, we visited another old moated mansion, the property of Dr. Mayo, said to have been originally a house belonging to Cardinal Wolsey, or in which he had at one time resided.[248] After crossing a drawbridge, and passing through the iron gates, the gardener ushered us into a spacious hall, and showed us a curiously constructed chair, in which he said the Cardinal’s porter usually sat. Of this singular chair above mentioned I made a drawing, and had the honour to furnish the late Marquis of Lansdowne with a copy, to enable his Lordship to have a set made from it. In an adjoining room was a bedstead and furniture, considered to be that in which the Cardinal had slept; it was of a drab-coloured cloth, profusely worked over with large flowers in variously coloured silks. We were then conducted to an immense room filled with old portraits. I recollect noticing one in very excellent preservation of Sir Hugh Myddelton, with an inscription on the background totally differing from the one by Cornelius Janssen, engraved by Vertue.[249] Thus ended this pleasant excursion. 1792.