A Book of Burlesque: Sketches of English Stage Travestie and ParodyAdams, William Davenport
History
A Book of Burlesque: Sketches of English Stage Travestie and Parody
Adams, William Davenport
Burlesque (Literature); English literature -- History and criticism; Parody
A popular subject with the writers of burlesque for Christmastide has
been the time-honoured one of Cinderella. The first travestie of any
importance was by Albert Smith and Kenny, seen at the Lyceum so long
ago as 1845. Next came H. J. Byron's version at the Strand in 1860,
followed by Mr. Green's in 1871, Mr. Wilton Jones's (at Leicester) in
1878, and Mr. Reece's (at the Gaiety) in 1883. A provincial burlesque
on this topic was called "Done-to-a-Cinderella," and in America there
has been a "Cinder-Ellen." Mr. Reece's piece was called, simply, "Our
Cinderella"; Mr. Jones's, "Little Cinderella." Byron's was christened
"Cinderella, or the Lover, the Lackey, and the Little Glass Slipper."
It has been a great favourite with the public ever since it was first
played with Maria Simpson as Cinderella, Miss Oliver as the Prince
(Popetti), Miss Charlotte Saunders as his valet Dandino, John Clarke
as the Baron Balderdash, and Rogers and Miss Lavine as Clorinda and
Thisbe. Over and over again has this clever piece of work served as the
basis of pantomime "openings" both in town and country.
Following the traditional story closely enough, it bristles with the
puns in which Byron revelled, and which he poured forth with singular
and somewhat exhausting lavishness. Thus, we find Dandino saying:--
As I've made my bed so I must lie.
Continuing _bed_ metaphor, sir--I,
When quite a child, the blackest draught would drain,
And took my _pill_--oh! on _account o' pain!_
And as my youthful feathers all unfurled
Seemed formed to make a _bold stir_ in the world,
Little dreamt I I should appear a valet as,
For I seemed born to reign in royal _palliasse_;
But suddenly the future seemed to frown;
Fortune gave me a quilt, an' _I'd a down_.
A little farther on Dandino and the Prince, who are about to exchange
characters for the nonce, have the following little contest in
pun-making:--
_Dandi._ But I must have a change of toggery:
This coat, you will admit, is not the best cut,
And neither is my waistcoat quite the _West cut_.
I must di_vest_ myself of that affair:
These buckles ain't the thing for _Buckley_ Square.
_Prince._ You shall be decked in gems of vast expense,
And be a gem-man in a double sense.
Your servant, I will wait, clean boots, wash glasses;
Thus serve a nob, a_n' ob-serve_ all that passes.
_Dandi._ Then you'll obey me till you've found La Donna?
You _pledge_ your princely word?
_Prince_ (_shaking his hand heartily_). _A-pawn_ my honour.
An even better instance of Byron's tendency to run a pun to death is to
be found in this colloquy between the Prince and Cinderella. The latter
says:--
_Cind._ Cinders and coals I'm so accustomed to,
They seem to me to tinge all things I view.
_Prince._ That fact I can't say causes me surprise,
For _kohl_ is frequently in ladies' eyes.
Public-domain text, read in full here on John Shaqi.
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