A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
General
A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
She turned upon him sharply. “It is wonderful--wonderful! But you
should not have shown it to me! I do not understand. I--I thought I
could have married you. Now I know that I never can. I--I never dreamed
there was youth like that in the world. Oh, why did you let me find it
out?”
Rollinson stood dumfounded.
“But it is I,” he found voice to plead at last. “Bertha, have the
added years of worthy life made me less deserving of your love? Am I to
be punished for becoming what he only promised to be?”
The girl passed her hand over her eyes in a bewildered way.
“It seems to me that one can love promise better than achievement,” she
said, faintly. “To care for what is not, is, I fancy, the very essence
of love.”
“I love you as he never could have done,” urged Rollinson. “As he never
dreamed of caring for any one. His loves were superficial and selfish,
Bertha. I have gained much, and I have lost nothing that--that is
essential.”
“You have lost comprehension--he would have understood what I mean,”
answered the girl, quickly.
“But--Bertha! This is unreasonable. How can you expect me to
comprehend?”
“I have been too reasonable!” she cried, with sudden passion. “That is
my discovery. Love is not reasonable, youth is not--and they belong
together. Oh, don’t, don’t make me say any more!”
For an instant there was a heavy silence between them; then Rollinson
found voice to say:
“It shall be as you please. Your aunt seems to be looking for you.
Shall we go over to her?”
When his guests were gone at last, Rollinson came back to the picture.
He took it down and placed it upon a chair where the light fell full
upon it. Truly, he did not look like that to-day.
Although it was himself, he hated it, for it had cost him something
dearer than the young strength which it portrayed. Of all the
irrational humiliations of the long, wayward years of life this seemed
to him the most hideous.
He took his knife from his pocket, opened it and put the point against
the canvas. It would be easy to satisfy the brute anger in his soul
by two sharp cross-cuts which should effectually destroy that remote,
insolent beauty which had once been his own and now was his no longer.
He hesitated a moment, then dropped the knife and shook his head. He
could not possibly do such a melodramatic, tawdry thing as that.
He knew that the day might yet come when he should not remember the
bitterness of this hour; he might even grow to be glad again that he
had once walked the earth in the likeness of this picture, but just
now--just now he must forget it for awhile.
With one short sigh, Rollinson lifted the portrait of his rival and set
it down, the face against the wall.
AT THE END OF THE WORLD
“And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.”
Public-domain text, read in full here on John Shaqi.
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