A book of martyrsComer, Cornelia A. P. (Cornelia Atwood Pratt)
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A book of martyrs
Comer, Cornelia A. P. (Cornelia Atwood Pratt)
American fiction -- 19th century; Short stories, American
She was sitting quietly in the sleeper, writing a letter to a friend.
She had got as far as “I feel it my duty to tell you,” when the pencil
flew out of her fingers. She had an instantaneous impression, grotesque
in its horror, that all the natural laws were being unsettled with a
terrible, grinding noise; for the pencil was falling toward the ceiling
instead of the floor, and the man in front of her was following it,
and even she herself. Then something struck her head and she lost
consciousness.
When she came to herself she was lying on a cot in one corner of a
large, unfamiliar room. As her gaze wandered slowly from object to
object on the whitewashed walls, she concluded, from the combination
of railway maps, time-cards, dusty windows filled with geraniums in
pots, and a large, rusty Bible chained to a wall-pocket, that she was
in a country railroad station; but when she turned her head she saw
that it also resembled a hospital. She felt bruised and sore, but was
not in much pain, and only an indefinable sensation of great weakness
warned her not to move.
Presently some one noticed that her eyes were open and, drawing near,
asked her some questions. She answered them with ease, and then in her
turn asked a few. The man, obviously a physician, answered briefly but
definitely. Then he drew a note-book from his pocket, took down some
addresses that she gave him, and moved away softly in the direction of
the telegraph window. She lay, looking after him incredulously. So this
was death! She had at farthest two more hours on earth. It was part
of her creed that one may permit one’s self to be surprised but never
startled. She was not startled now, but, decidedly, she was sorry. Her
best work was yet undone, and she had not meant to leave earth while
there still remained so much to do.
The sounds and sights of the hastily improvised hospital were
unpleasant to her, and she turned her head away from them. There was
one cot between her and the corner. She recognized the profile of that
bandaged head as belonging to the man who had sat across the aisle in
the sleeper. She had jotted down a description of him in her note-book,
thinking she might use it some day. It ran:
“Sallow skin, soft, brown hair, fine eyes, but an iron mouth with a
devil-may-care expression. He has the get-up of a man who is too busy
being prosperous to take time to be comfortable. His face, a singular
combination of sensitiveness and stolidity, the latter leading. Neither
hard enough for this world nor tender enough for the next. An Achilles
with a dozen vulnerable spots, he sheds two drops of his own blood for
every one he draws in his battles; so, whether he wins or not, they are
always losing fields for him.”
Public-domain text, read in full here on John Shaqi.
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