Mythology; Mythology, Greek -- Juvenile literature
Here in our own land the tales of the Greek gods seem very remote.
Like the colours in an old, old portrait, the humanity of the stories
seems to have faded. But in Sicily they grow vivid at once. Almost, as
we stand above Syracuse, that long yellow town by the sea--a
blue-green sea, with deep purple shadows where the clouds above it
grow dark, and little white-sailed boats, like white butterflies, wing
their way across to the far horizon--can we
"Have glimpse of Proteus rising from the sea,
Or hear old Triton blow his wreathèd horn."
Here, to this day, one of the myths most impossible of acceptance to
the scientific modern mind lives on, and Arethusa is not yet forgotten.
"In Ortygia," says Cicero, "is a fountain of sweet water, the name of
which is Arethusa, of incredible flow, very full of fish, which would
be entirely overwhelmed by the sea, were its waters not protected from
the waves by a rampart and a wall of stone." White marble walls have
taken the place of the protecting barrier, but the spring bubbles up to
this day, and Ortygia (Quail Island) is the name still given to that
part of Syracuse. Fluffy-headed, long, green stalks of papyrus grow in
the fountain, and red and golden fish dart through its clear water.
Beyond lie the low shores of Plemmgrium, the fens of Lysimeleia, the
hills above the Anapus, and above all towers Etna, in snowy and
magnificent serenity and indifference to the changes wrought by the
centuries to gods and to men. Yet here the present is completely
overshadowed by the past, and even the story of Arethusa knocks loudly
at the well-barricaded doors of twentieth-century incredulity.
The beautiful Arethusa was a nymph in Diana's train, and many a time
in the chase did she thread her way through the dim woodland, as a
stream flows down through the forest from the mountains to the sea.
But to her, at last, there came a day when she was no longer the
huntress but the hunted.
The flaming wheels of the chariot of Apollo had made the whole land
scintillate with heat, and the nymph sought the kind shelter of a wood
where she might bathe in the exquisite coolness of the river that
still was chilled by the snows of the mountain. On the branch of a
tree that bent over the stream she hung her garments, and joyously
stepped into the limpid water. A ray of the sun glanced through the
leaves above her and made the soft sand in the river's bed gleam like
gold and the beautiful limbs of the nymph seem as though carved from
pure white marble by the hand of Pygmalion himself. There was no sound
there but the gentle sound of the stream that murmured caressingly to
her as it slowly moved on through the solitude, and so gently it
flowed that almost it seemed to stand still, as though regretful to
leave for the unknown forest so beautiful a thing as Arethusa.
"The Earth seemed to love her
And Heaven smiled above her."
Public-domain text, read in full here on John Shaqi.
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