A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
Don Giovanni comes upon a party of rustics who are celebrating in
advance the wedding of Zerlina and Masetto. The damsel is a somewhat
vain, forward, capricious, flirtatious miss, and cannot long
withstand such blandishments as the handsome nobleman bestows
upon her. Don Giovanni sends the merrymakers to his palace for
entertainment, cajoles and threatens Masetto into leaving him alone
with Zerlina, and begins his courtship of her. (Duet: "Là ci darem
la mano.") He has about succeeded in his conquest, when Elvira
intervenes, warns the maiden, leads her away, and, returning, finds
Donna Anna and Don Ottavio in conversation with Don Giovanni,
whose help in the discovery of the Commandant's murderer they are
soliciting. Elvira breaks out with denunciations, and Don Giovanni,
in a whisper to his companions, proclaims her mad, and leads her
off. Departing, he says a word of farewell, and from the tone of
his voice Donna Anna recognizes her father's murderer. She tells
her lover how the assassin stole into her room at night, attempted
her dishonor, and slew her father. She demands his punishment at
Don Ottavio's hands, and he, though doubting that a nobleman and
a friend could be guilty of such crimes, yet resolves to find out
the truth and deliver the guilty man to justice.
The Don commands a grand entertainment for Zerlina's wedding party,
for, though temporarily foiled, he has not given up the chase.
Masetto comes with pretty Zerlina holding on to the sleeve of his
coat. The boor is jealous, and Zerlina knows well that he has cause.
She protests, she cajoles; he is no match for her. She confesses to
having been pleased at my lord's flattery, but he had not touched
"even the tips of her fingers." If her fault deserves it, he may
beat her if he wants to, but then let there be peace between them.
The artful minx! Her wheedling is irresistible. Listen to it:--
[Musical excerpt--"Batti, batti, o bel Masetto"]
The most insinuating of melodies floating over an obbligato of the
solo violoncello "like a love charm," as Gounod says. Then the
celebration of her victory when she captures one of his hands and
knows that he is yielding:--
[Musical excerpt--"Pace, pace o vita mia"]
Public-domain text, read in full here on John Shaqi.
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