A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
With the Restoration, however, Thespis enjoyed his own again, and sock
and buskin became once more lawful articles of apparel. Charles II.
mounted the throne arm-in-arm, as it were, with a player-king and
queen. The London theatres reopened under royal patronage, and in the
provinces the stroller was abroad. He had his enemies, no doubt.
Prejudice is long-lived, of robust constitution. Puritanism had struck
deep root in the land, and though the triumphant Cavaliers might hew
its branches, strip off its foliage, and hack at its trunk, they could
by no means extirpate it altogether. Religious zealotry, strenuous and
stubborn, however narrow, had fostered, and parliamentary enactments
had warranted, hostility of the most uncompromising kind to the player
and his profession. To many he was still, his new liberty and
privileges notwithstanding, but "a son of Belial"--ever of near kin to
the rogue and the vagabond, with the stocks and the whipping-post
still in his immediate neighbourhood, let him turn which way he would.
And then, certainly, his occupation had its seamy side. With this the
satirists, who loved censure rather for its wounding than its healing
properties, made great play. They were never tired of pointing out and
ridiculing the rents in the stroller's coat; his shifts, trials,
misfortunes, follies, were subjects for ceaseless derision. What Grub
Street and "penny-a-lining" have been to the vocation of letters,
strolling and "barn-strutting" became to the histrionic profession--an
excuse for scorn, underrating, and mirth, more or less bitter.
Still strolling had its charms. To the beginner it afforded a kind of
informal apprenticeship, with the advantage that while a learner of
its mysteries, he could yet style himself a full member of the
profession of the stage, and share in its profits. He was at once bud
and flower. What though the floor of a ruined barn saw his first crude
efforts, might not the walls of a patent theatre resound by-and-by
with delighted applause, tribute to his genius? It was a free, frank,
open vocation he had adopted; it was unprotected and unrestricted by
legislative provisions in the way of certificates, passes,
examinations, and diplomas. There was no need of ticket, or voucher,
or preparation of any kind to obtain admission to the ranks of the
players. "Can you shout?" a manager once inquired of a novice. "Then
only shout in the right places, and you'll do." No doubt this implied
that even in the matter of shouting some science is involved. And
there may be men who cannot shout at all, let the places be right or
wrong. Still the stage can find room and subsistence of a sort for
all, even for mutes. But carry a banner, walk in a procession, or form
one of a crowd, and you may still call yourself actor, though not an
actor of a high class, certainly. The histrionic calling is a ladder
of many rungs. Remain on the lowest or mount to the highest--it is
only a question of degree--you are a player all the same.
Public-domain text, read in full here on John Shaqi.
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