107. What two compensations did they have for the hard conditions of the industry? 108. What influences tended to lower wages? 109. How were journeymen divided? 110. What were the conditions of employment of each? 111. What were the difficulties of the second class? 112. How were journeymen graded? 113. What division of labor existed in the composing room, and what in the press room? 114. Describe the foreman of this period. 115. What happened to the old or disabled workmen? 116. What was the place of the master? 117. Was the general condition of the industry good or bad, and why? 118. What were the relations between the masters and journeymen before 1618? 119. What were these relations after 1618? 120. What was a chapel? 121. What difficulties did the organization of journeymen have to meet? 122. Describe briefly the growth of organization among the journeymen. 123. How did masters desire to settle their disputes with the journeymen, and why? 124. How did the journeymen desire to settle them, and why? 125. What were the principle causes of dispute? 126. According to modern ideas, which party of these disputes generally appears to the better advantage, and why? 127. What was the French Revolution? 128. How did the French Revolution contribute to the coming in of modern conditions in the printing industry? TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES The following list of publications, comprising the TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES, has been prepared under the supervision of the Committee on Education of the United Typothetae of America for use in trade classes, in courses of printing instruction, and by individuals. Each publication has been compiled by a competent author or group of authors, and carefully edited, the purpose being to provide the printers of the United States—employers, journeymen, and apprentices—with a comprehensive series of handy and inexpensive compendiums of reliable, up-to-date information upon the various branches and specialties of the printing craft, all arranged in orderly fashion for progressive study. The publications of the series are of uniform size, 5 × 8 inches. Their general make-up, in typography, illustrations, etc., has been, as far as practicable, kept in harmony throughout. A brief synopsis of the particular contents and other chief features of each volume will be found under each title in the following list.