A Brief History of Wood-engraving From Its InventionCundall, Joseph
History
A Brief History of Wood-engraving From Its Invention
Cundall, Joseph
Wood-engraving -- History
The first book of real importance that was illustrated by Thomas Bewick was
the 'Select Fables' published by Saint of Newcastle in 1784; this is now
very rare; there is, however, a copy in the British Museum (press-mark
12305 g 16) which can at all times be consulted. Most of the designs are
derived from 'Croxall's Fables,' and many of these were copied from the
copper-plates by Francis Barlow in his edition of Æsop, published 'at his
house, The Golden Eagle, in New Street, near Shoo Lane, 1665.' Though
Bewick improved the drawings, there was little originality in them, but the
engravings were far in advance of any other work of the kind done at that
period. The success of this book induced him to carry out an idea he had
long entertained of producing a series of illustrations for a 'General
History of Quadrupeds,' on which he was engaged for six years, making the
drawings and engraving them mostly in the evening. He tells us he had much
difficulty in finding models, and was delighted when a travelling menagerie
visited Newcastle and enabled him to depict many wild animals from nature.
It was while he was employed on this work that he received a commission to
make an engraving of a 'Chillingham Bull,' one of those famous wild cattle
to which Sir Walter Scott refers in his ballad, 'Cadyow Castle':
'Mightiest of all the beasts of chase
That roam in woody Caledon.'
He made the drawing on a block 7¾ inches by 5½ inches, and used his highest
powers in rendering it as true to nature as he could; it is said that he
always considered it to be his best work. After a few impressions had been
taken off on paper and parchment, the block, which had been carelessly left
by the printers in the direct rays of the sun, was split by the heat; and,
though it was in after years clamped in gun-metal, no impressions could be
taken which did not show {112} a trace of the accident. Happily, one of the
original impressions on parchment may be seen in the Townsend Collection in
the South Kensington Museum. Meanwhile the 'Quadrupeds' were going on
bravely: Ralph Beilby compiled the necessary text, which Bewick revised
where he could, and in 1790 the book was published. It sold so well that a
second edition was issued in 1791, and a third in 1792. Since then it has
been frequently reprinted. [The first edition consisted of 1,500 copies in
demy octavo at 8s., and 100 in royal octavo at 12s. The price of the eighth
edition, with additional cuts, published in 1825, was one guinea.]
[Illustration: TAIL-PIECE
(_From 'The Quadrupeds'_)]
Public-domain text, read in full here on John Shaqi.
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