A call : $b The tale of two passionsFord, Ford Madox
General
A call : $b The tale of two passions
Ford, Ford Madox
English fiction -- 20th century
She remained seated on the arm of the chair, looking at him intently,
mournfully, almost as Peter looked at his master, and the little dog
paddling through the room stood up on its hind-legs to touch her hand
with the tip of its tongue. She began to speak again, uttering the
same words, repeating and repeating them, hoping that some at least
would reach his brain. He sat entirely still, hunched together, his
eyes looking as if they were veiled and long dead. Pauline had ceased
speaking again, when suddenly he passed his hand down his face from
brow to chin, and then, as if the sudden motion gave her the idea that
his brain might again have become alert, she repeated:
“Listen, Dudley dear....”
Her voice, clear and minute, continuing in a low monotone, had the
little flutings and little catches that so exactly and so exquisitely
fitted the small quaintnesses of expression. And to Robert Grimshaw she
appeared to look downwards upon Dudley, not as if she were expecting
him to answer, but with a tender expression of a mother looking at a
child many months before it can talk.
And suddenly she let herself down from the arm of the chair and glided
over to where, in the gloom, Robert Grimshaw was standing beside the
door. The little brown dog flapped after her over the floor.
“You had better go and get a doctor,” she said.
He answered hesitatingly: “Isn’t it a little early?” He added: “Isn’t
it a little early to take it that he’s definitely ill?”
“Oh, I’ve known that he’s been definitely ill for a long time,” she
answered. “I ought to have called in a doctor before, but I wanted to
consult you, so I waited. It was wrong. As it turns out, it was wrong,
too, my not letting you speak to Dudley instead of me. You think it
would hurt my feelings to hear a doctor say that he is actually mad.
But I’ve been through with it already. I know it. The only thing now is
treatment, and the sooner it begins the better.”
Grimshaw’s face set sharply in its painful lines.
“Don’t say that he’s mad,” he said, in the most commanding accent she
had ever heard him use.
“Just look at him,” she answered.
Dudley Leicester, with the air of a dissipated scarecrow ruined by
gambling, was gazing straight in front of him, sunk deep in his chair,
his eyes gazing upon nothing, his hands beating a tattoo upon the
leather arms.
“I won’t have you say it,” Robert Grimshaw said fiercely.
“Well, the responsibility’s mine,” she answered, and her tiny lips
quivered. “There’s my mother dead and Dudley mad, and I’m responsible.”
“No, I’m responsible,” Grimshaw said in a fierce whisper.
“Now come,” she answered; “if I hadn’t married Dudley, mother would
never have had her pony-chaise or got pneumonia ...”
“It was I that brought you together,” Grimshaw said.
Public-domain text, read in full here on John Shaqi.
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