impossible to regard those of Poseidon as his distinctive token in the combat. If we assume that this second pair of horses was attached to the chariot of Poseidon, room may be found for a representation of the salt spring either between the left leg of the Sea-god and the forelegs of his chariot horses, or beneath the horses. For the vase picture already referred to, see also de Witte, in the _Monuments Grecs de l'Association pour l'encouragement des études Grecques_, No. 4, 1875; Brunn, _Sitzungsber. d. k. bayer. Akad. Phil.-hist. Cl._, 1876, p. 477; and Petersen, _Arch. Zeit._, 1875, p. 115. For more recent discussions on the subject of the dispute between Athenè and Poseidon, see Robert in _Hermes_, XVI., p. 60, and in _Athenische Mittheilungen_, VII., p. 48; Petersen in _Hermes_, XVII., p. 124; E. A. Gardner, in _Journ. of Hellen. Studies_, III., p. 244; Wolters, p. 259. [Sidenote: =304 N.=] This figure, which may have been a Nereid, has been entirely lost since the time of Dalton, unless we identify it with the supposed Victory of the east pediment. (See No. 303 J.) [Sidenote: =304 O.=] Amphitritè.--In Carrey's drawing this torso appears as a seated figure, the right foot on a higher level than the left, the left arm drawn back as if holding the reins; between the feet appears the head either of a dolphin or a marine monster. The head, left hand, and apparently the right arm of Amphitritè are wanting. According to Dalton's imperfect drawing, the figure had in his time lost the left forearm and left leg. The torso at present wants the head, right arm from the shoulder, left arm from below the shoulder, and all the lower limbs except the upper part of the left thigh. The body is clad in a long chiton without sleeves; an upper fold falls over the bosom as low as the waist, passing under a broad girdle such as would be suitable for charioteers. A small mantle passes obliquely across the back, one end passing over the left shoulder and under the left arm; the other had passed over the right shoulder. The places where metallic ornaments were attached on this figure are marked by five holes pierced in the marble, one of which is on the base of the neck, one on the right shoulder at the fastening of the chiton, and three on the left shoulder. On the inside of the left thigh are folds of fine drapery; the surface of the outside still shows that the chiton had been open at the side, _schistos_, as in Carrey's drawing. It should be noted that this figure was not seated, as Carrey has drawn it, but must have been standing with the body thrown back and the arms extended in front, like the charioteer (No. 33) in the north frieze. _Mus. Marbles_, VI., pl. 18; Michaelis. pl. 8, figs. 18, 18_a_. [Sidenote: =304 P, Q.=]