Along with the crown were found two pectorals, one of Senusert II, the other of Amenemhat III, of even finer design than the famous pectorals of Dahshur. “The earlier pectoral is inlaid with minute feathering of lazuli and turquoise; the later with a different feathering of lazuli and white paste, which has probably been green.... They were probably suspended by necklaces of the very rich deep amethyst beads which were found here.” With the pectorals went several gold and jewelled collars and necklets, and broad armlets of golden bars with beads of carnelian and turquoise, and inlaid clasps bearing the royal cartouche, and a number of other articles, amulets and toilet utensils, including a silver mirror with a handle of obsidian, inlaid with bands of plaited gold, and bearing a cast gold head of Hathor. Another item came to light from Lahun in 1920 in the shape of the royal uræus of Senusert II, “a massive gold casting, with inlay of carnelian and lazuli, a head of lazuli, and eyes of garnet in gold setting,” which was found near the sepulchral chamber in the heart of the pyramid, amidst a heap of dust and chips of stone. Doubtless this is the royal emblem which adorned the brow of Senusert when he was laid to rest in his pyramid, though how it escaped the notice of the robbers who plundered his tomb is as great a mystery as the escape of the treasure of Sat-Hathor-ant. Thus the pyramids of the XIIth Dynasty monarchs, insignificant as they may seem in comparison with the gigantic piles of Gizeh, have proved in their way no less interesting than the colossal work of Khufu, Khafra, and Menkaura. Indeed each of the pyramid groups has its own characteristics, and has given its own contribution to our knowledge of the successive periods of early Egyptian history. To the mighty structures of the IVth Dynasty we owe the revelation of the marvellous organisation of the Egyptian kingdom, and the skill with which its resources could be concentrated on a single gigantic task. To the less imposing buildings of the Vth and VIth Dynasties we owe something perhaps even more precious--the revelation of the thoughts which were shaping themselves in the mind of man in these most ancient days with regard to the soul and its life beyond the grave. To those of the XIIth Dynasty we owe the evidence of the skill which shaped the marvellous red-granite sarcophagus of Senusert II, or the great quartzite funeral chamber of Amenemhat III, and the union of luxury with the finest taste which created the jewellery of Dahshur and Lahun. It may be questioned if even the tomb of Tutankhamen, with all its mass of splendour, will have anything to show us which can surpass in grace and dignity the diadems of Khnumit and Sat-Hathor-ant, or in exquisiteness of finish their pectorals and armlets.