"Oh! well, you can imagine. What should I have done with it, my God!"
"Like the little guinea-pigs, then?"
"That's it."
And she poured herself out a drink.
We went up to our rooms somewhat intoxicated.
VII
_October 6._
Decidedly, autumn is here. Frosts which were not expected so soon have
browned the last flowers of the garden. The dahlias, the poor dahlias,
witnesses of Monsieur's amorous timidity, are dried up; dried up also
are the big sunflowers that mounted guard at the kitchen-door. There
is nothing left in the devastated flower-beds,--nothing but a few
sorry-looking geraniums here and there, and five or six clusters of
asters, whose blue flowers--the dull blue of rottenness--are bending
toward the ground in anticipation of death. The garden-plots of
Captain Mauger, whom I saw just now over the hedge, present a scene of
veritable disaster, and everything is of the color of tobacco.
The trees, through the fields, are beginning to turn yellow and to lose
their foliage, and the sky is funereal. For four days we have been
living in a thick fog, a brown fog that smelt of soot and that did not
dissipate even in the afternoon. Now it is raining, an icy, beating
rain, which a fierce wind, blowing in squalls from the northwest,
occasionally intensifies.
Ah! I am not comfortably situated here. In my room it is bitter cold.
The wind blows into it, and the water penetrates the cracks in the
roof, principally around the two windows which stingily illuminate
this dark hole. And the noise of lifting slates, of shocks that shake
the roof, of creaking timbers and of squeaking hinges, is deafening.
In spite of the urgent need of repairs, I have had all the difficulty
in the world in getting Madame to order the plumber to come to-morrow
morning. And I do not dare yet to ask for a stove, although, being very
chilly, I feel that I shall not be able to live in this mortal room
through the winter. This evening, to stop the wind and the rain, I have
had to stuff old skirts into the cracks. And this weather-vane above my
head, never ceasing to turn on its rusty pivot, at times shrieks out so
sharply in the night that one would take it for Madame's voice in the
corridors, after a scene.
Public-domain text, read in full here on John Shaqi.
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