Bildungsromans; Boston (Mass.) -- Fiction; Saint Lawrence River -- Fiction; Upper class -- Fiction; Young women -- Fiction
NEXT MORNING.
Quebec lay shining in the tender oblique light of the northern sun when
they passed next morning through the Upper Town market-place and took
their way towards Hope Gate, where they were to be met by the colonel a
little later. It is easy for the alert tourist to lose his course in
Quebec, and they, who were neither hurried nor heedful, went easily
astray. But the street into which they had wandered, if it did not lead
straight to Hope Gate, had many merits, and was very characteristic of
the city. Most of the houses on either hand were low structures of one
story, built heavily of stone or stuccoed brick, with two
dormer-windows, full of house-plants, in each roof; the doors were each
painted of a livelier color than the rest of the house, and each
glistened with a polished brass knob, a large brass knocker, or an
intricate bell-pull of the same resplendent metal, and a plate bearing
the owner's name and his professional title, which if not _avocat_ was
sure to be _notaire_, so well is Quebec supplied with those ministers of
the law. At the side of each house was a _porte-cochere_, and in this a
smaller door. The thresholds and doorsteps were covered with the neatest
and brightest oil-cloth; the wooden sidewalk was very clean, like the
steep, roughly paved street itself; and at the foot of the hill down
which it sloped was a breadth of the city wall, pierced for musketry,
and, past the corner of one of the houses, the half-length of cannon
showing. It had the charm of those ancient streets, dear to Old-World
travel, in which the past and the present, decay and repair, peace and
war, have made friends in an effect that not only wins the eye, but,
however illogically, touches the heart; and over the top of the wall it
had a stretch of such landscape as I know not what Old-World street can
command: the St. Lawrence, blue and wide; a bit of the white village of
Beauport on its bank; then a vast breadth of pale-green, upward-sloping
meadows; then the purple heights; and the hazy heaven over them.
Half-way down this happy street sat the artist whom they had seen before
in the court of the Hotel Dieu; he was sketching something, and evoking
the curious life of the neighborhood. Two schoolboys in the uniform of
the Seminary paused to look at him as they loitered down the pavement; a
group of children encircled him; a little girl with her hair in blue
ribbons talked at a window about him to some one within; a young lady
opened her casement and gazed furtively at him; a door was set quietly
ajar, and an old grandam peeped out, shading her eyes with her hand; a
woman in deep mourning gave his sketch a glance as she passed; a calash
with a fat Quebecker in it ran into a cart driven by a broad-hatted
peasant-woman, so eager were both to know what he was drawing; a man
lingered even at the head of the street, as if it were any use to stop
there.
Public-domain text, read in full here on John Shaqi.
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